Comments on: Being British: The London 2012 Opening Ceremony http://blog.commarts.wisc.edu/2012/07/27/being-british-the-london-2012-opening-ceremony/ Responses to Media and Culture Fri, 12 Feb 2016 19:35:04 +0000 hourly 1 https://wordpress.org/?v=4.7.5 By: Chris http://blog.commarts.wisc.edu/2012/07/27/being-british-the-london-2012-opening-ceremony/comment-page-1/#comment-236111 Sat, 28 Jul 2012 14:41:50 +0000 http://blog.commarts.wisc.edu/?p=14522#comment-236111 This is good stuff. The problem with Boyle nowadays is less that he gives people a voice than imposes one on them. Unlike his *Shallow Grave*, *Trainspotting*, and *28 Days Later* days, he has now disarticulated (and I do mean that term in the film noir sense of “slicing open someone’s throat”) historical oppression from the contexts of capitalism and the military-industrial complex. Just notice how capitalism– so central to Trainspotting with Renton working in real estate– has fallen mostly into the background in *Slumdog Millionaire* with the exception of the one good scene with the kids hustling at the Taj Majal.

I would think part of this is done in order to make a more palatable and popular product. Can’t offend the Western white hordes too much. So rather than equating capitalism with heroin usage, let’s see it as the solution to the Indian kids problems. Rather than addressing the colonization of the Scottish and integration into an imperial economy, let’s actually emulate that structure in the very political economy of filmmaking of *Slumbdog Millionaire* and in many ways replicate a neo-colonial relationship with India. The very critique that Boyle use to so saliently apply in his films addressing colonization has now become the modus operandi of his filmmaking.

So of course he is a perfect choice for the opening ceremonies where he can give lips service to populism while losing any sense of relevant critique to the ways in which capitalism, imperialism, and the like have constantly ground their boots on their necks. There is not such thing as society– only spectacle.

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