Melanie Kohnen reflects on what she learned at Middlebury College’s videographic criticism workshop.
Melanie Kohnen reports to Antenna from her recent experience at Digital Day at the New York Television Festival, and discusses how the NYTF is shifting the focus of Digital Day away from second screen apps offering program-related content towards TV network-preferred Twitter.
While the Occupy movement uses the 1% metaphor to critique social inequality, the Hunted transmedia campaign finds multiple ways to integrate the metaphor into the system of commercial television.
Beyond the issue of depicting same-sex intimacy, Husbands does not really challenge the current norms of queer visibility.
With the widespread use of Twitter and Tumblr, official and fan-produced transmedia increasingly share the same media spaces.