Li Cornfeld considers the technofuturism and Cold War nostalgia in “Tomorrowland,” in light of the Walt Disney Company’s own corporate departure from space age optimism.
When a showrunner chooses to remove themselves from Twitter, they are removing themselves from not only professional opportunity but also a space for self-expression.
For today’s television showrunner, Twitter is simultaneously rife with potential and littered with pitfalls.
It might be the most divisive, bold, and risky episode in series history. What can we make of it the morning after?