The Antenna-Sounding Out! series From Mercury to Mars: Orson Welles on Radio after 75 Years continues on into the new year with a post on Sounding Out! from A. Brad Schwartz about the influence of Sir Arthur Conan Doyle’s Sherlock Holmes stories on Orson Welles' radio work.
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In this latest post in our ongoing series From Mercury to Mars: Orson Welles on Radio after 75 Years, Michele Hilmes ponders the relative absence of innovation in American radio drama over the past three decades.
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Some reflections on The Best Show on WFMU as it ends its thirteen-year run.
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The Antenna-Sounding Out! series From Mercury to Mars: Orson Welles on Radio after 75 Years continues today with a new post on Sounding Out! from Jacob Smith about the Mercury Theatre's 1938 radio play "Hell On Ice" as a proto-environmental critique that is as relevant today as it was 75 years ago.
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A full rundown of all the information you'll need to know to participate in tonight's #WOTW75 collective listening experiment, commemorating the 75th anniversary of Orson Welles' and the Mercury Theatre's "War of the Worlds" radio broadcast.
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Understanding "War of the Worlds"’s neglected second act requires consideration of the contested status of character monologue and larger shifts in dominant production norms for Golden Age radio drama.
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The Antenna-Sounding Out! ongoing series From Mercury to Mars: Orson Welles on Radio after 75 Years continues with a new post from Debra Rae Cohen on the inaugural broadcast of the original Mercury series, Welles’s fascinating version of Bram Stoker’s Dracula.
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The Editorial Board of The Velvet Light Trap has extended the deadline for its forthcoming "On Sound (New Directions in Sound Studies)" issue to September 1. In particular, VLT seeks sound-related research that addresses issues and topics in radio, television, video games, digital/new media, and other non-film media. Read on for the CFP.
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In Antenna's first post in the From Mercury to Mars: Orson Welles on Radio after 75 Years collaborative series with Sounding Out!, Eleanor Patterson explores how it is that we are still listening to the 1938 radio broadcast of "War of the Worlds" 75 years later, and in what ways its discursive and material...
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Talk of the Nation, National Public Radio's (NPR) daily weekday call-in program, broadcast its final show on Thursday, June 27th. And with its cancellation goes one less venue for the public to actually access and participate in political debate and discourse on public radio.
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The coordinating editors of The Velvet Light Trap are seeking submissions for a forthcoming issue that explores new directions in sound studies.
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With the 2013 edition of 'Canada Reads' set to begin on Monday, we consider the cultural work performed by the program in the Canadian context. In particular, what are the potential implications of this year's emphasis on competition between Canada's regions for the program and its contributions to debates and discourses concerning Canadian national...
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By broadcasting exclusively online and abandoning space-based FM or AM broadcasting, college radio stations run the risk of losing the local focus that has been integral to the programming and operations of the campus and community radio sector.
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The Abigael Affair crystallizes the challenges of NPR’s campaign to re-create itself as a fully modern and digital multi-platform news, information, and culture channel, while maintaining its distinctive affective character.
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Although live performances over radio like those of the Grand Ole Opry are one of the medium's basic functions, liveness is also culturally constructed, and its relationship with radio is fluid and uncertain.
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