Comments on: The Warner Archive Program and Hollywood History http://blog.commarts.wisc.edu/2010/03/12/the-warner-archive-program-and-hollywood-history/ Responses to Media and Culture Fri, 12 Feb 2016 19:35:04 +0000 hourly 1 https://wordpress.org/?v=4.7.5 By: Susan http://blog.commarts.wisc.edu/2010/03/12/the-warner-archive-program-and-hollywood-history/comment-page-1/#comment-7630 Wed, 02 Jun 2010 20:34:36 +0000 http://blog.commarts.wisc.edu/?p=2486#comment-7630 Whether it’s books, CD’s, DVD’s or anything else, print on demand is going to be the way of the future for those customers who want a physical product. As lovely as the instant gratification of immediately being able to download and view products, I still sell many more physical books than I do downloads.

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By: The Chutry Experiment » DVDs and Film History http://blog.commarts.wisc.edu/2010/03/12/the-warner-archive-program-and-hollywood-history/comment-page-1/#comment-1402 Sat, 13 Mar 2010 16:41:31 +0000 http://blog.commarts.wisc.edu/?p=2486#comment-1402 […] to see just how precarious our film catalogs actually are.  In a post for Antenna, Bradley Schauer points to two notable stories about DVD consumption.  First, Sony announced that it is laying off 450 […]

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By: Derek Kompare http://blog.commarts.wisc.edu/2010/03/12/the-warner-archive-program-and-hollywood-history/comment-page-1/#comment-1377 Fri, 12 Mar 2010 20:05:14 +0000 http://blog.commarts.wisc.edu/?p=2486#comment-1377 Oops; sorry for all the italics!

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By: Derek Kompare http://blog.commarts.wisc.edu/2010/03/12/the-warner-archive-program-and-hollywood-history/comment-page-1/#comment-1376 Fri, 12 Mar 2010 20:04:28 +0000 http://blog.commarts.wisc.edu/?p=2486#comment-1376 Great look at the changing economics of home video. We’re at the end of the boom, that’s for sure, and I wonder how long certain distributors (notably Shout! Factory, at least for my tastes) are going to be able to survive on only a slew of niche products. I’m increasingly of the opinion that we’d better start snapping up all those DVDs and box sets that’ve been available since the early 2000s, if not longer; they’re going to start disappearing from availability sooner than we’d like.

Lost amongst most of the hype of the long tail and “niche-ization” of popular culture is exactly the issue you pinpointed: when does even a niche product cost too much? Every reissue still costs money, in many ways (legal, regarding the labyrinth of rights, in particular). Sadly, the alternative to MOD is SOL (or, if one is not squeamish, trolling the internet): i.e., if they can’t figure out a way to make money off of it, it’s not going to happen. This is why those recently discovered Jack Benny radio shows are almost certainly never going to be released. We can’t take DVD releases for granted any more.

Moreover, if I were to gamble, I’d bet that a decade from now recordings commercially released on a physical medium (e.g., a five-inch digitally encoded plastic disc) are going to be marginal to the industry. However, the cost question–the necessity to make money on whatever is made available–will still dictate what we can download.

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By: Tim Anderson http://blog.commarts.wisc.edu/2010/03/12/the-warner-archive-program-and-hollywood-history/comment-page-1/#comment-1373 Fri, 12 Mar 2010 18:27:00 +0000 http://blog.commarts.wisc.edu/?p=2486#comment-1373 Good article and it sounds like they are taking a cue from the major labels who re-release “classics” with, in many cases, dubious bonus tracks and extras such as studio outtakes for a premium. This specific re-release strategy of old masters has a long yet undocumented history, something that media scholars would do well to study. It’s also a place where we could learn from economists regarding price theory, which I know very little about myself. Look forward to this discussion!

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