So given the unique “pleasures” of 24 (which I think include the yelling-at-the-screen frustration), what would be the most organically consistent ending?
]]>As you note, it’s also important for allowing suspension of disbelief, since we’re willing to allow the story a whole bunch of silliness due to it. Take that away, and for the game, it was just another game, and take it away, and a movie will be just another movie.
]]>And a hearty HA! to the resurrection of Jack Bauer…the EW article actually mentioned that, too. 🙂
]]>I’m equally ambivalent-to-negative about the purported film version. Yes, the real time conceit is a chore and is stretched to ridiculous degree every episode. But it’s that real time conceit that I think makes a lot of what 24 does pleasurable and tolerable. I recently read a blog entry that I can’t seem to find again right now that argued 24 would be great if it wasn’t 24. I couldn’t agree less. The fact that we can’t stop to ask a lot of questions and have to keep running with what the writers throw at us is what makes the show work (when it does). I’d be much more interested in seeing something more like the 2008 24 tv movie, “Redemption,” which took place in real time in just two hours, instead of 24.
Add to the fact the lackluster history of TV franchises extended into film (X-Files, Firefly, ST: TNG), and I’m definitely skeptical.
The beauty of 24, of course, is that they CAN kill Jack off in the finale, and then just resurrect him for the movie 🙂
]]>I’m interested in what you know/think about the purported 24 movie that Keifer and the gang say is forthcoming. In an interview with Entertainment Weekly, Keifer says he’s excited about the fact that a movie won’t have the real-time constraints that the conceit of the TV series put upon issues like travel time, etc. As he notes, because of this issue, the drama has always had to come to them–in California–whereas in a film, they’ll be able to expand the scope. At the same time, though, I have to wonder if that, then, makes a film version less “24” and more “terrorist-based storyline featuring characters you know and love.” Which might be OK, of course, but is still different.
Not only that, but the fact that there is likely a 24 movie on the horizon means that the series has additional narrative constraints as it wraps–they can’t exactly kill off Jack Bauer, etc.
]]>(Sorry, couldn’t resist.)
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