Comments on: Friday Night Lights: The Musical! or Glee‘s After-School Sing-a-long http://blog.commarts.wisc.edu/2010/05/13/friday-night-lights-the-musical-or-a-very-special-episode-of-glee/ Responses to Media and Culture Fri, 12 Feb 2016 19:35:04 +0000 hourly 1 https://wordpress.org/?v=4.7.5 By: Mary Beltrán http://blog.commarts.wisc.edu/2010/05/13/friday-night-lights-the-musical-or-a-very-special-episode-of-glee/comment-page-1/#comment-5056 Fri, 14 May 2010 01:21:59 +0000 http://blog.commarts.wisc.edu/?p=3881#comment-5056 What a great post, and I really enjoyed reading all of the thoughtful comments as well. It’s ironic, that in an episode that focused on “finding your voice,” that they included a character’s unenhanced singing voice for a change – but it wasn’t even one of the major characters. And that this would be chosen as an episode theme for a series is all about how much better and sexier they are in their overproduced musical numbers (excellent point!). But I personally love these contradictions and fantasy elements, so they work for me.

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By: Carolina Hernandez http://blog.commarts.wisc.edu/2010/05/13/friday-night-lights-the-musical-or-a-very-special-episode-of-glee/comment-page-1/#comment-5034 Thu, 13 May 2010 19:44:07 +0000 http://blog.commarts.wisc.edu/?p=3881#comment-5034 This has been my problem with Glee since the beginning, its desperate attempts at being both an edgy show and an after-school special. It only ever works for me in Kurt’s storyline, and even then, not always (I still have issues with them conflating his homosexuality with disabilities in the Wheels episode).

The ending of this week’s episode was especially troubling. As you said, “Really, tonsillitis=total paralysis?” It felt like something out of an episode of Strangers with Candy, because who else besides Jerri Blank would equate the two? But instead of giving us the “moral” of the story like SwC would (by having Jerri hilariously learn the wrong lesson), Glee just plays it straight by having Rachel learn a very problematic lesson instead.

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By: Kelli Marshall http://blog.commarts.wisc.edu/2010/05/13/friday-night-lights-the-musical-or-a-very-special-episode-of-glee/comment-page-1/#comment-5028 Thu, 13 May 2010 18:57:45 +0000 http://blog.commarts.wisc.edu/?p=3881#comment-5028 Thoughtful post, Kelly! I’m glad I’m not alone regarding the football player storyline. I tweeted this while the show aired and was sorta’ concerned that no one else posted anything similar (or responded to my tweet): http://twitter.com/KelliMarshall/status/13825980794. Comforting to know I wasn’t misreading (or unduly badmouthing?) the situation…

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By: Myles McNutt http://blog.commarts.wisc.edu/2010/05/13/friday-night-lights-the-musical-or-a-very-special-episode-of-glee/comment-page-1/#comment-5025 Thu, 13 May 2010 17:44:04 +0000 http://blog.commarts.wisc.edu/?p=3881#comment-5025 To be fair, I was pretty okay with Sue’s Sister as well, but I actually found the paralyzed football player to be less problematic. In the case of Sue’s Sister, it was meant to manipulative our emotions as the audience: the sister is meant to soften Sue’s character and give context to her actions, forcing a three-dimensionality that the character doesn’t really otherwise earn (but which I was pleased enough to see that I went along for the ride).

By comparison, the football player (as sad as it is that I don’t remember his name) actually creates a response from Rachel, manipulating her emotions rather than our own. I think it was certainly over the top and after school-specialy (since that is Ryan Murphy’s calling card on this show, having written “Wheels” as well), but the fact that it confirmed more than changed our expectations (forcing Rachel to see what we could see from the beginning of the episode, that she was being a jerk) means that it feels like the moral is for the character more than for the audience. That doesn’t make the moral any better, but it at least makes it more functional for long term character development – maybe it’s just that I’ve been complaining about its absence for so long, but I was very pleased to see the “live” singing at the end of the episode, and I thought Michele did a nice job with the scene (even if Murphy didn’t really carry over Rachel’s personality into the scenes as he perhaps should have).

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By: amanda klein http://blog.commarts.wisc.edu/2010/05/13/friday-night-lights-the-musical-or-a-very-special-episode-of-glee/comment-page-1/#comment-5019 Thu, 13 May 2010 17:20:51 +0000 http://blog.commarts.wisc.edu/?p=3881#comment-5019 Ooops, meant to write “paralyzed football PLAYER.”

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By: amanda klein http://blog.commarts.wisc.edu/2010/05/13/friday-night-lights-the-musical-or-a-very-special-episode-of-glee/comment-page-1/#comment-5018 Thu, 13 May 2010 17:20:18 +0000 http://blog.commarts.wisc.edu/?p=3881#comment-5018 Yes, Kelly you are spot on here. I have always been critical of GLEE’s use of overproduced numbers but it was a strange choice for them to NOT use the Autotune when the paralyzed football was singing. It seemed to emphasize exactly what that treacly storyline was intended to disprove: that a disability doesn’t preclude you from being fantastic in other ventures. I actually found that entire plotline to be more offensive that Sue’s sister (which I already find to be offensive). Rachel was basically supposed to look at this young man and think–wow, and I thought I had it bad! But your life really sucks! Oh wait, AND my voice is okay after all!

TPG just seem to be taking shots in the dark at this point.

The episode was saved though by “The Lady is a Tramp” and “Kurt’s Turn.” What fantastic numbers!

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By: Kelly Kessler http://blog.commarts.wisc.edu/2010/05/13/friday-night-lights-the-musical-or-a-very-special-episode-of-glee/comment-page-1/#comment-5014 Thu, 13 May 2010 16:16:22 +0000 http://blog.commarts.wisc.edu/?p=3881#comment-5014 I just want to say that I’m a huge fan of the ever-shafted FNL and fully believe that the show did an admirable job with its treatment of Street. However, Glee’s treatment of paralysis here is indicative of a common downfall of the musical when it attempts to deal with heavy issues. Even the contemporary musical–although surely tackling more serious issues than back in the heyday–suffers from such weaknesses. While The Color Purple is both a fab movie and book, when musicalized it became what my partner and I refer to as “Celie’s Greatest Hits” by reducing an epic story to musical vignettes. I think we see a reflection of that generic shorthand here (and just some bad writing). Go East Dillon Lions!

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By: Anne Helen Petersen http://blog.commarts.wisc.edu/2010/05/13/friday-night-lights-the-musical-or-a-very-special-episode-of-glee/comment-page-1/#comment-5012 Thu, 13 May 2010 15:02:58 +0000 http://blog.commarts.wisc.edu/?p=3881#comment-5012 Great post, Kelly. One small point: to compare Glee’s treatment of paralysis to that of Friday Night Lights is akin to comparing Saved by the Bell’s treatment of ‘uppers’/drug use with that of Requiem for a Dream. Okay, okay, a bit of an exaggeration, but FNL miraculously managed to avoid cliche and ‘very special episode-ness’ with Jason Street (they even gave him FRIENDS! And sports and girlfriends and babies!), whereas Glee’s use, especially in this last episode, seems so awkward, forced, and didactic.

I feel like The Powers That Glee were basically saying “SEE, HERE’S WHAT HAPPENS WHEN WE CAST SOMEONE WHO’S ACTUALLY DISABLED.” Which is an unfortunate message altogether.

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