Comments on: “You Want Me to Be Anderson Cooper”: Negotiating Queer Visibility on Husbands http://blog.commarts.wisc.edu/2012/08/23/you-want-me-to-be-anderson-cooper-negotiating-queer-visibility-on-husbands/ Responses to Media and Culture Fri, 12 Feb 2016 19:35:04 +0000 hourly 1 https://wordpress.org/?v=4.7.5 By: Melanie Kohnen http://blog.commarts.wisc.edu/2012/08/23/you-want-me-to-be-anderson-cooper-negotiating-queer-visibility-on-husbands/comment-page-1/#comment-250812 Thu, 30 Aug 2012 15:35:28 +0000 http://blog.commarts.wisc.edu/?p=14946#comment-250812 Thank you for commenting, Myles. I didn’t catch the connection back to the episode when I first watched the season premiere and thus was thoroughly confused by how this might relate to the episode. Apparently, quite a few people didn’t make the connection because Jane Espenson tweeted an explanation shortly after the first episode aired.

I just watched the second episode and I have to agree that the switch to the longer episode format does good things for the show. In the first season, it always seemed as if the characters were chasing after the punchline and there wasn’t room for much else. With the longer episodes, there is more time to develop a conversation (even though the content and the delivery of the dialog remains rather on the nose).

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By: Melanie Kohnen http://blog.commarts.wisc.edu/2012/08/23/you-want-me-to-be-anderson-cooper-negotiating-queer-visibility-on-husbands/comment-page-1/#comment-250810 Thu, 30 Aug 2012 15:31:07 +0000 http://blog.commarts.wisc.edu/?p=14946#comment-250810 Thanks for your comment, Karen! I find the parallels between pushing boundaries for new ways of producing TV and new ways of LGBT representation to be the most fascinating aspect of Husbands as well (esp. because I think there is a definite gap between the rhetoric and the execution). The first season didn’t have that much of a chance to establish their characters in-depth due to how short all the episodes were (every episode was only 3-4min long), so I’m not sure that I have a better sense of them than you do.

I felt rather alienated after first watching it as well because I did not catch the connection to the earlier scene. The scene seemed to undermine everything the episode was trying to say about stereotypes. Husbands had never done a postscript before (and there isn’t one for the second episode), so I wonder why they decided to add this one to the first episode.

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By: Myles McNutt http://blog.commarts.wisc.edu/2012/08/23/you-want-me-to-be-anderson-cooper-negotiating-queer-visibility-on-husbands/comment-page-1/#comment-247770 Thu, 23 Aug 2012 21:22:37 +0000 http://blog.commarts.wisc.edu/?p=14946#comment-247770 Like Karen, I was bothered by the coda, which felt like a piece of blatant fan service as opposed to part of the argument (although I did notice it was the show on in the background during early scenes). Also like Karen, I appreciated your reading and your apprehension about whether it reaches its full potential as a critical statement. Thanks for the post.

Unlike Karen, though, I watched the first season before watching the premiere, and I’m wondering what you think of the switch in format from “clips” to “acts,” to use imprecise terms to describe the increased length of this episode. The 2-minute episodes of the first season created brief scenes that were only really able to make one point, whether it’s a particular joke setup, a particular dramatic beat, etc. The premiere of the second season felt more dynamic, and I felt its message became more embedded in characterizations than outright stated in the script.

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By: Karen Greeney28 http://blog.commarts.wisc.edu/2012/08/23/you-want-me-to-be-anderson-cooper-negotiating-queer-visibility-on-husbands/comment-page-1/#comment-247768 Thu, 23 Aug 2012 21:14:34 +0000 http://blog.commarts.wisc.edu/?p=14946#comment-247768 Melanie, thanks for your thoughts on this episode. This was my first experience with “Husbands,” and I will admit I did not respond with the enthusiasm reflected in the Twitterverse. Your reading of the deeper critique of the web versus broadcast model has opened this episode up quite a bit for me–it gives me something to work with. Without the backstory of these characters, I found myself annoyed by Cheeks’ blatant disregard for his partners’ career. I didn’t read the story as a fight between the closet and openness but rather as two characters who did not understand or respect the other’s values.

The postscript then alienated me to a dramatic degree, making me wonder who was being targeted by this program. Even though I was “in” on the joke–having seen enough of both BG and Dollhouse to get the references–I nevertheless didn’t know how to account for the two characters playing at lesbianism. I suppose there was a bit of a wink at the audience–no one could take a pillow fight seriously these days– but the scene nevertheless played out every soft-core trope of girly sexiness without a punchline or a reversal. As an outside to the series, I wasn’t sure if this sort of postscript was standard, and I did not have enough cues for how to read it.

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