Dreamworks – Antenna http://blog.commarts.wisc.edu Responses to Media and Culture Thu, 30 Mar 2017 23:48:47 +0000 en-US hourly 1 https://wordpress.org/?v=4.7.5 What Are You Missing? June 10 – June 23 http://blog.commarts.wisc.edu/2013/06/23/what-are-you-missing-june-10-june-23/ Sun, 23 Jun 2013 13:00:34 +0000 http://blog.commarts.wisc.edu/?p=20631 Before we get to the industry news, I would like to update you on WAYM news. I (Andrew Zolides, by the way) will be taking over the ‘What Are You Missing?’ Column. This will always be Chris Becker’s column, but I want to sincerely thank her for giving me the opportunity to write this terrific feature. I hope to keep up the quality you’d expect from the column, providing a slew of news from a range of media industries, including film, television, digital, video games, music, and more. If you have any questions, comments, suggestions, or news you’d like to share, I’d like to encourage you to add those to the comments. With that, onto the news!

Ten (or more) media industry news items you might have missed recently.

1) Two weeks ago was E3 (Electronics Entertainment Expo), the largest trade fair for the video game industry, and, as usual, there were several major stories coming out of the event. The biggest seemed to be Sony’s massive ‘victory’ over Microsoft in the press conferences focusing on each’s next-generation entertainment consoles available this holiday, the PlayStation 4 and XBox One, respectively. Besides undercutting Microsoft’s console by $100, Sony scored major consumer points by directly attacking Microsoft’s announced DRM policies including a required internet connection and restrictions on sharing/loaning games. Sony was clearly feeling confident, releasing this humorous video of PlayStation execs showing people the ‘complicated’ process of sharing games on their new system:

2) Yet the even bigger news took place the week following E3, as Microsoft, following an outpouring of negative consumer and media feedback and loss of pre-sales on Amazon against the PlayStation, pulled a complete 180 on the XBox One’s restrictive DRM policies. Gone are the regular on-line checks and restrictions on borrowing. While it is too early to tell if such a bold reversal will affect Microsoft’s PR woes in the long-run, they have already overtaken the PS4 on UK Amazon pre-orders.

3) Fox Searchlight Pictures has lost a lawsuit brought against them by two interns on the film Black Swan after a Federal District Court found them in violation of minimum-wage laws for not paying the production interns who were treated essentially as regular employees. The judge found the environment too similar to a regular waged position and not enough of a training/educational program to be considered unpaid. While this is a massive victory for unpaid labor in the film and media industry, many have already noted this could become a landmark decision for future cases of internship exploitation in a variety of fields.

4) Attention bachelorettes: Rupert Murdoch will soon be back on the market. Murdoch and wife Wendi Deng have filed for divorce. While Deng and the couple’s children will retain financial interest in News Corp, they do not get voting rights. In slightly less tabloid-y news, News Corp’s publishing and entertainment arms have started trading separately as a preliminary stage before the official split later this month.

5) And just to keep things going on the TMZ-front, Kanye West and Kim Kardashian are now parents of a baby girl. More interestingly, this news came just one day after West’s hotly anticipated new album, Yeezus, leaked to the internet, and three days before the album’s official release. As expected, the child of Kanye and Kim has already learned the power of synergistic corporate marketing strategies.

6) More Netflix original programming is on the way, this time from the folks over at DreamWorks Animation. The deal involves over 300 hours of new content, making it the largest in Netflix’s short history. This is part of a larger initiative from DreamWorks to branch out into the television marketplace. They are confident their TV deals (including Netflix) will generate $100m in revenue for the company.

7) Senior Senator John McCain has asked the FCC to research and consider the benefits of a la carte cable pricing. This is in line with proposals and urgings from McCain for years to offer more options to television consumers, including proposed legislation. McCain calls the current system restrictive saying in a letter to acting FCC Chair Mignon Clybrun, “This is wrong, and action should be taken.”

8) The economic and financial upheaval in Greece hit the media sector these past weeks after the government shut down public broadcaster Hellenic Broadcasting Corp. (ERT). The canceling of all state-run broadcasts and massive layoffs led to protests around the country, which eventually spread to other European broadcasters (including Britain, Spain, France, Germany, and Italy) signing a petition and speaking out. The movements proved successful, as the Greek PM Antonis Samaras offered to bring ERT back on air with a limited staff after a court reversed an early decision siding with Samaras.

9) This past week saw the annual Licensing Expo in Las Vegas, with the entire industry reporting growth of 2.5% in 2012 by bringing in approx. $110 billion. Disney has been the unchallenged king (or princess!) for years, ranking as the world’s #1 licensor generating $39.4 billion. And they are only growing, with recent purchases of Marvel and Star Wars giving them six of the top 10 franchises worldwide.

10) Our tenth story is a bit of old fashioned rivalry between… talent agencies. An extended prank by William Morris Endeavor (WME) against rival Creative Artists Agency (CAA) saw the company put up posters around Hollywood featuring “CAAN’T” that parodied CAA’s iconic white-on-red logo. The stunt even extended to t-shirts spotted in the background of the Today show and a website, caant.com. Unfortunately for us watching, Phase 2 of the ad blitz was shut-down, with the WME claiming it is “not worth it” and “The fun we had is done.”

11) To end on a somber note, celebrated actor and terrific human being James Gandolfini passed away June 19, 2013 while vacationing in Italy. Best known for his work as Tony Soprano, Gandolfini’s work extended beyond television to film, the stage, and even voice-work (see below). The outpour of tributes, honors, and reflections speaks more for how loved he was than I ever could alone. That said, I’ll leave you this week with one of my favorite memories of his work:


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What Are You Missing? Apr 28 – May 11 http://blog.commarts.wisc.edu/2013/05/12/what-are-you-missing-apr-28-may-11/ Sun, 12 May 2013 13:05:45 +0000 http://blog.commarts.wisc.edu/?p=19866 WAYM-Iron Man 3Ten (or more) media industry news items you might have missed recently:

1) This installment starts with news that that I’m sure no one missed. Iron Man 3 made its worldwide debut, but all eyes were on China, which put up a respectable $21.5 million on opening day. In North America, our $68.3 million opening day brought IR3 within striking distance of a half-billion dollar box office after less than two weeks of release. Keeping all of that in mind, can you really blame RDJ?  But life’s not all about the Benjamins, friends. Apparently, Tony Stark is doing good business (“business”?) among pirates, who elevated IR3 to #3 on TorrentFreak’s list of the most illegally downloaded films. Haven’t seen the movie yet? Here are some other ways to enjoy the atmosphere: becoming Iron Man, keeping up with Robert Downey, Jr., on Sina Weibo, or basking in RDJ’s charisma.

2) Speculation about NeXtBox – can we make this a thing? – is picking up ahead of a launch event set for May 21. Exact details about the release date, price, and specs are yet to be revealed, but as I get on in years, I find what matters most is that I be allowed — encouraged even — to play alone. What do we know about NeXtBox? Well, apparently it supports a projector system capable of making you wish that you didn’t have so much furniture. Don’t invest in a blank wall yet, however; Illumiroom may not be ready for Microsoft’s next-gen rollout. If you’re not on Team Microsoft, there’s always the PS4 to look forward to.

3) The future is arriving at the speed of time, and next-gen gaming systems are just the start. San Francisco played host last week to the first NeuroGaming Conference and Expo, where “ineluctable modality” was just a string of cool-sounding syllables. Commercial potential for games that track player heart rate, brain waves, pupil dilation, and a host of other physiological data is still slight, but Google Glass may help start-ups find a direction. We all saw Strange Days, right? Less pie-in-the-sky are developments in controller design. Thalmic Labs’ Myo promises “effortless interaction,” bringing us all one step closer to living out our childhood fantasies or five steps closer to saying, “Remember when…?” Also, this exists.

4) Let’s pretend this is a surprise. Google Glass is coming, presumably for people more interesting than myself, and some of the source code has been released, so developers have been put on notice. What are the possibilities? Where to start: wink-based photography, making Vine videos, making and uploading YouTube videos, ARG gaming (a covert valorization of early adoption?), Facebooking, and updating your software. But it’s not all sunshine and rainbows; get a head start on worrying about surveillance, privacy, basic social interactions, keeping expectations realistic, and not looking like a jerk. And you don’t have to be excited about the tech itself to enjoy the ad campaign. White Men Wearing Google Glass has made a game of tracking down the instrument’s target demographic. So far, though, I’m most concerned about a different set of would-be users. Finally, I’m going on record. Google Glass is still only playing second-fiddle. The Large Hadron Collider (or any particle accelerator) exists; for the rest of us, there’s Google Glass.

5) First, some context: The Syrian Electronic Army has been around the digital block a few times, becoming something of a nuisance for high-profile critics of the Assad regime. The group’s latest target was The Onion Twitter account, where it posted a number of pro-Assad and anti-Semitic tweets just because they couldn’t take a joke. The Onion responded as you’d expect: one news story poking humor at the hack and another announcing tighter security. (When connectivity is a weapon, I feel compelled to point out that feelings of levity should be brief. See the end of the WaPo story for evidence.)

6) How are things at DreamWorks? Awesomeness abounds.  It’s overflowing even, so they’ve sent some to China. But is ‘awesome’ for DreamWorks ‘awesome’ for everyone? It may be for a selection of YouTube content providers. Subscription channels are coming. Big Bird may be involved, but WWE isn’t biting (for now?).  As much as things change, other things remain the same…unless this happens. That would be a fairly significant development.

7) Netflix’s streaming service lost almost 1,000 titles on May 1. Users and the media took to calling the event Streamageddon, but I was partial to Apocaflix. Netflix (see, it’s right there in the name!) has begun testing new layouts, which makes me wonder if Facebook has conditioned us to complain. Then again, Netflix has its competitors to think about, and they do seem to be cropping up. If the market gets tight, there’s always money in the banana stand.

8) A smattering of stories about trademarks and copyrights… Instagram has the dubious honor of having its name informally tacked to recent British copyright legislation. Do you think Warner Bros. performed a “diligent search” before being sued for its unauthorized use of Keyboard Cat and Nyan Cat? Barry Diller is calling broadcasters’ bluffs over Aereo, and Fox is doing its best Shredder impression, claiming the court battles are just beginning. For what it’s worth, Aereo is taking steps to keep that from being the case. Also, who has the heart to argue with Harper Lee? If Gregory Peck were still around, I bet he’d get involved.

9) What’s killing cinema? Steven Soderbergh has the answer. “[F]ive and a half hours of mayhem,” you say? It sounds so Shakespearean, but I expect it signifies more than nothing. Don’t worry about Soderbergh, though, he’s got a Plan B, available for your enjoyment here.

10) What else is there to talk about? Rest in peace, George Jones, Deanna Durbin, and Ray Harryhausen. In case you’re unfamiliar with any of them, here’s the greatest country song of all time (by some accounts), an appreciation and analysis of fan appreciation for Durbin, and a primer on Harryhausen’s work. (The pay wall won’t block the videos, so click on through!) Ender’s Game is on the way. To my father’s great shame, I’ve never read it. As for Mr. Card, he depresses me too much to make a joke. Star Wars day happened. Nielsen says welcome to the family. And get ready for some AIP remakes!

11) What?! That’s right. ELEVEN! One extra for the art and science that caught my eye. Here’s a stop-motion movie using atoms as pixels, meaning there’s at least one digital format with resolution superior to 35mm film. Roger probably would have stood his ground on this one. I know people who actively change the typeface of their handwriting every few years. Earth driving is easy. The mysteries of the cosmos are out there to be discovered, but don’t forget that people can be pretty gosh darn cool, too.

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What Are You Missing? April 14-April 27 http://blog.commarts.wisc.edu/2013/04/28/what-are-you-missing-april-14-april-27/ Sun, 28 Apr 2013 17:00:20 +0000 http://blog.commarts.wisc.edu/?p=19753 elysium-posterA few news stories you may have missed these last two weeks…

1) Neill Blomkamp’s Elysium will become the first Sony film mixed both for Dolby Atmos and for Barco’s rival Auro 11.1 format. Meanwhile, the British theater chain Vue said it is currently “testing” Atmos in its select Xtreme auditoriums, while Barco signed a 15-picture deal with DreamWorks Animation. The two companies are hoping that their products will coexist in theaters so as to avoid an all-out format war.

2) DreamWorks also announced a potentially controversial coproduction with its Shanghai based Oriental DreamWorks and the state-owned China Film Group to adapt the popular Tibet Code adventure novels for the big screen. Jeffrey Katzenberg, however, denies any political motivation behind the project. The Indiana Jones-esque films will begin production after King Fu Panda 3.

3) Quentin Tarrantino’s Django Unchained will get another chance at the Chinese box office after officials pulled the film from theaters within minutes of its initial release on April 11th. The film will re-open on May 12 with several sexual and violent images likely removed.

4) In streaming news, Amazon.com announced it will soon release a set-top box to compete with Roku and AppleTV. Netflix is adding the option for a single account to stream up to four videos at once.  The current limit is two simultaneous streams. Netflix also unveiled nine new posters for their upcoming season of Arrested Development.

5) NBC renews five of its dramas for next season, including Revolution and Grimm. Meanwhile once-popular shows like The Office and Fox’s American Idol hit all-time ratings lows this past week.

6) In cable news, CNN is in talks to add Stephanie Cutter and Newt Gingrich to its reboot of the network’s once-popular Crossfire debate show. CNN also topped Fox and MSNBC in the 25-54 demo during the Watertown manhunt on Friday.  However, Fox bested all of cable programming in total viewership during the week of the Boston bombing, edging out USA 2.87M to 2.62M.  CNN placed third with 1.99M and MSNBC placed 19th with only 923k.

7) Reddit general Manager Erik Martin admitted he deeply regrets how some of the Boston marathon discussions on his site “fueled online witch hunts and dangerous speculation which spiraled into very negative consequences for innocent parties.” Some media outlets have been critical of the way the website was handling the ongoing investigation, though others were more defensive of Reddit’s involvement.

8) In twitter news, the AP’s twitter feed was hacked with claims of two explosions at the White House, causing the Dow to see momentary drop of about 130 points. The Onion‘s twitter feed responded in form, and has had more than 1,000 re-tweets since its posting. None of this seemed to deter Former President Clinton from officially joining the social media site, nor from making the announcement on The Colbert Report.

9) Disney’s slated film adaptation of Stephen Sonheim’s Into the Woods is inching toward including Meryl Streep and Johnny Depp as leads. The company’s theme parks in Florida and California will also stay open for 24 hours on Friday, May 24th in order to offer visitors an all-nighter to celebrate the beginning of summer.

10) iTunes celebrates its 10-year anniversary, and though some journalists called the online music store an “instant revolution,” analysts suggest it is now losing significant market share to streaming services like Spotify.

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What Are You Missing? March 31-April 13 http://blog.commarts.wisc.edu/2013/04/14/what-are-you-missing-march-31-april-13/ http://blog.commarts.wisc.edu/2013/04/14/what-are-you-missing-march-31-april-13/#comments Sun, 14 Apr 2013 17:00:26 +0000 http://blog.commarts.wisc.edu/?p=19662 78274-playboy-app-store-iphoneA few interesting news stories you may have missed…

1) News Corp’s COO Chase Carey is threatening to turn Fox into a pay cable channel if courts continue to allow the new internet television broadcaster Aereo to profit from its retransmissions of Fox programming. Courts have so far ruled in favor of Aereo twice.

2) The popular social media site and bibliophile hang-out, Goodreads, will soon be under the ownership of Amazon.com. While Amazon VP Russ Grandinetti says this will help self-publishers “promote their books on Goodreads,” a number of Goodreads members are apparently leaving the website to prevent Amazon from monitoring what they are reading.

3) Speaking of good reads, Playboy announced it will start delivering its magazine through a new iPhone application. However, due to the no-nudity policy on iPhones, the app will not include any of the publication’s erotic photos.

4) Dolby announced that several more titles — including Man of Steel and Wolverinewill receive the company’s Atmos treatment later this year. The new 64-channel surround sound format was introduced last summer and has been wired in more than 90 theaters worldwide. As of now Dolby has no plans to make Atmos available for home theaters.

5) Continuing WAYM’s interest in HBO GO’s potential to provide a GO-only subscription, HBO now suggests they are looking to provide live streaming of non-boxing sporting events through their GO service. And in case this should ever come up, if you are a New York Times columnist you should maybe think twice about announcing to your readers that you steal HBO GO from a friend.

6) Continuing WAYM’s interest in covering the potential Hulu buyout, last Friday former News Corp president Peter Chernin made an offer to buy the streaming website for $500 million. Chernin was involved in developing Hulu for News Corp during its launch in 2007. Among other investments, Chernin is also looking to buy Fullscreen, a company that supports and advises creators of online content for websites like YouTube.

7) In Kickstarter news, the Veronica Mars Movie Project has ended its record-breaking Kickstarter run with 91,585 total backers, more than any other project in Kickstarter’s short history. The crowd-sourcing website was also slated to help Roger Ebert re-launch his weekly television show, though those plans have been sadly cancelled.

8) The digital cinema projection company Cinedigm has continued its push to distribute movie and television content by acquiring digital and VOD rights to more than 1,000 episodes of Australian television. Cinedigm is also now conducting DCP instillations on more than 100 drive-in screens across the country.

9) In DreamWorks Animation news, the company has acquired the intellectual property rights to those Troll dolls from yesteryear. The company also appears to be recovering from Rise of the Guardian‘s disappointing release last November, with The Croods currently exceeding $200 million at the foreign box office, making it the second film in 2013 to gross more than $300 million worldwide.

10) The script-thief’s revenge… and does he take requests?

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Dolby Atmos: What You Hear http://blog.commarts.wisc.edu/2013/04/11/dolby-atmos-what-you-hear/ http://blog.commarts.wisc.edu/2013/04/11/dolby-atmos-what-you-hear/#comments Thu, 11 Apr 2013 14:00:09 +0000 http://blog.commarts.wisc.edu/?p=19360 DolbyAtmosAmong practitioners and scholars, there is a common quip that a technological change in film sound amounts to a “quiet revolution” for filmgoers. Last year’s roll-out of Dolby Atmos perhaps only further corroborates this observation. Of the several films mixed and released in the new format — films that include Brave (2012), The Hobbit (2012), and A Good Day to Die Hard (2013) — few mention Atmos in their promotional material. Additionally, filmgoers may be unable to distinguish an Atmos mix from a typical 5.1 or 7.1 soundtrack. Given that films like G.I. Joe: Retaliation (2013) were not initially conceived with Atmos in mind, to the untrained ear there may not always be a discernible difference between Dolby’s new format and previous technologies. Nonetheless, Atmos offers a filmgoing experience worth discussing, for if it or a similar system were to become the industry standard, then questions arise as to how its potential aesthetic might shape the way films sound and look. This blog post therefore provides just a few preliminary observations regarding the significance of Dolby Atmos’s technological and stylistic features.

With respect to its mixing capabilities, the Atmos system can send discreet sounds to up to 61 individual speakers and 3 low-frequency subwoofers. This updates Dolby’s recent 7.1 configuration (color-coded below), which consists of three full-range speakers behind the screen, a channel for each side wall, and a left and right channel for the rear wall. Additionally, 7.1 can feed low-frequency effects to an LFE or “.1” channel located behind the screen.

Atmos essentially keeps this 7.1 configuration but adds two more speakers behind the screen, two channels for ceiling speakers, and two additional LFE channels for the theater’s rear corners, creating ostensibly an 11.3 foundation. Generally, this foundation might contain the film’s music, ambient and background sounds, and — in the front speakers — the onscreen dialog and sound effects.

Most importantly, Atmos can send up to 128 sound effect “objects” to any single speaker in the auditorium. Whereas an offscreen bird might emanate from the entire left wall of speakers in 7.1, filmmakers can now mix the soundtrack so the bird emanates first from only the far speaker on the left, then from a front ceiling speaker, then from an adjacent speaker, and so forth if the filmmakers wish to recreate a bird’s circuitous flight through an auditorium. Further, because not every theater wired for Atmos will have the exact same number of speakers, the system can modify where it mixes its sound objects in order for that bird to journey identically through a 37- and 61-channel space.

This new means of mixing sound effects is known as a “pan through array,” and—as Dolby argues—the capability is an extensive improvement over the panning limitations of previous formats. Take for instance this early fly-over effect from the 5.1 mix of Broken Arrow (1996). As the airplane travels through the image from the background to the foreground, the sound pans from the front channels into the rear channels (circled in red below), creating the illusion that the plane is also traveling through the theater.

In Atmos these effects still exist, but the added channels on the sides and ceiling allow filmmakers more control over a pan’s speed and intensity. For example, as we crane toward the tornado in Disney’s Oz: The Great and Powerful (2013; pictured below), the storm’s howls slowly engulf one row of speakers at a time in order to create a more foreboding atmosphere and pace.

However, we should not assume that these chill-inducing aesthetics are how practitioners will continue to mix in Atmos once this introductory period is over. To offer some historical context, when Hollywood first introduced digital surround sound to audiences in the early 1990s, films utilizing these new technologies were also sporting aggressive sound designs. For instance, during the final gun battle from Carlito’s Way (1993) we hear screams, gunfire, and other sound effects, yet when we listen to just the two rear surround channels we hear only guns and bullets.  The inclusion of only these sounds in the surround speakers would seem to create the illusion that bullets are actually whizzing by the heads of filmgoers.

(Here is an excerpt from the battle with every channel activated…

… and here is the excerpt again with only the rear surround channels activated.)

While Carlito’s Way typifies how 5.1 systems sounded during their first few years, such aggressive and kitschy mixes seemed to become passé by the end of the decade, with these more sensory experiences mainly quarantined for science-fiction or war films, and with most panning effects reserved for interplay between only the front speakers. I suspect a similar stylistic trajectory might also happen with Dolby Atmos.

So in lieu of treating aggressive sound mixing as essential to the Atmos aesthetic, we might conceive of the technology’s long-term appeal in two other ways. First, Atmos replaces each theater’s surrounds with higher-quality speakers that are capable of carrying wider frequency ranges. As opposed to previous soundtracks that were stored on 35mm, the increase in data space afforded to Atmos on DCP hard drives can then allow for more audio information and greater textural detail to emanate from these newer speakers. Second, and perhaps more interestingly, there are the ceiling channels. DreamWorks’s The Croods (2013) noticeably utilizes these new locations through its fabrication of reverberation and echo. During the film’s opening egg chase, the filmmakers mix Alan Silvestri’s A-TEAM-esque score so that it “bounces” off the ceiling like it would in a concert hall or indoor stadium. In addition, both The Croods (pictured below) and Rise of the Guardians (2012) feature fireworks and other elevated actions that take advantage of the ceiling’s speakers.

Ceiling channels and more detailed sonic textures are pleasurable additions, but they may pale in comparison to some of the more chill-inducing moments currently offered by filmmakers. If you are curious about experiencing these aggressive sound mixes firsthand then you may want to plan a trip to your closest Atmos theater before this type of aesthetic once again becomes passé.

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What Are You Missing? Feb 3-Feb 16 http://blog.commarts.wisc.edu/2013/02/17/what-are-you-missing-feb-3-feb-16/ Sun, 17 Feb 2013 14:00:26 +0000 http://blog.commarts.wisc.edu/?p=18598 TURBONetflix10 media news items you might have missed recently:

1) Not as many people tuned into the Super Bowl on February 3rd as the previous 2 years, but it still managed to be the 3rd most watched game despite the 34 minute blackout during the game, which some brands used to their advantage.  The game also failed to boost ratings for the CBS Monday lineup. Many viewed the Super Bowl ads as disappointing and not reflexive of the interests of younger generations.  However, the game set a record for the most social media interactions connected to an event.  Some campaigns used social media prior to the game, for example Budweiser’s campaign to get people to offer suggestions and vote on the name of the baby Clydesdale used in their ad this year (They chose Hope).  The FCC decided to ignore Joe Flacco’s swearing at the end of the game, which has sparked very little backlash.

2) Netflix released all 13 episodes of House of Cards, its original series, on Feb. 1st.  While Netflix execs have been reluctant to release viewer statistics, general buzz suggests that the show’s premiere was a success, and it has been generating a lot of talk about what this means for both Netflix and the future of TV viewing.  Netflix plans to continue creating original programming, both another season of House of Cards and a children’s show, Turbo, in conjunction with DreamWorks.  Netflix was also facing a court case from shareholders who felt that the company misled them by inflating its share price, but the case was thrown out.

3) Network and cable TV have been dealing with their own issues, such as a big ratings slump for NBC that might cause some mid-season shifts in the schedule.  Comcast purchased the remaining shares of NBC from its former parent company GE.  As a side note, in an unusual bid for Oscar attention, Warner Brothers bought 30 minutes of prime time on NBC to promote Argo.   CBS tried to use online extras to generate excitement for the Grammy awards.  CBS also acquired a share in AXS TV in exchange for programming and marketing.  Time Warner is increasing original programming on TNT and TBS, and FX continues to use dark, risque material to draw fans and create a niche for themselves.

4)  xbox remains the top selling gaming system for the 25th month in a row, selling over 281 thousand units in January.  But could it be that in the future Apple will overtake the gaming system market?

5) Some news on film distribution around the globe: European TV stations are not acquiring as many art cinema films, leaving even successful distributors in a difficult situation when trying to find an audience for these films.  In Japan, hulu.jp is experimenting with allowing a limited number of people to stream a film, Sougen no isu, for free before it is released theatrically.

6) Barnes and Noble had another disappointing quarter.  Book sales are not in trouble everywhere though, India’s publishing industry is showing steady growth despite the decrease in global markets.  Amazon is attempting to break into the ebook market in China, but is facing several obstacles including the lack of available kindles for purchase and piracy issues.  Apple’s ibookstore highlights self-published books, perhaps another sign of the changing print industry landscape.

7) The house subcommittee met to talk about preserving global internet freedom from government control.  On other internet news, AOL had surprisingly good 4th quarter revenues.  They have also re-branded their advertising.com group as AOL Networks, to emphasize the link with its parent company.

8) The Grammy awards took place on February 10th, setting the second largest record for social media interactions.  The awards led to an increase in album sales from the previous week, although the numbers are down from where they were at this time last year.  In other music news, Lady Gaga’s tour has been cancelled due to a hip injury, and approximately 200 thousand tickets will have to be refunded.

9) Dell Inc. goes private in a $24 billion leveraged buyout, in an attempt to rework the company to provide a wide range of products for corporations.  In other buyout news, John Malone’s Liberty Global acquired UK’s Virgin Media, putting him in position to compete in the UK’s pay TV market.

10) Some fun things to end with: Remember tamagotchi keychain pets?  Well now there’s an app for that.  Currently only available for Android devices, it should be available for Apple in the near future.  For those fans of the Alamo Draft House in Austin, they announced plans to open a second location in Kalamazoo, Michigan.  And this week’s newest internet sensation… Doing the Harlem Shake (and thinking about how to get the most out of it)

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What Are You Missing? January 6-19 http://blog.commarts.wisc.edu/2013/01/20/what-are-you-missing-january-6-19/ http://blog.commarts.wisc.edu/2013/01/20/what-are-you-missing-january-6-19/#comments Sun, 20 Jan 2013 15:27:41 +0000 http://blog.commarts.wisc.edu/?p=17414 Ten (or more) media industry news items you might have missed recently.

1. China had a big box office year in 2012, though a good chunk of the revenue came from American studio imports, like Life of Pi. The Hangover-esque Chinese comedy Lost in Thailand has become the country’s biggest domestic hit ever, though, and some expect the rise of China to global number one movie market status to come courtesy of shallow blockbusters.

2. Hollywood studios are turning to outside funding to support its films that aren’t shallow blockbusters, while Disney is looking at budget cuts for everything. DreamWorks is still a great place to work, though. Video game makers want greater control over the films Hollywood makes from their properties, while Disney is meshing together gaming and its movies with the upcoming Disney Infinity game.

3. We’re getting more info about Redbox Instant, which is expected to launch in March, because a group of users have gotten to beta test it. We know that it will be focused on movies, not TV shows, and Redbox’s CEO also says the company won’t abandon DVDs. But Austin Carr isn’t impressed with the service.

4. Home video revenue finally rose a bit last year, halting a seven-year skid, with streaming getting most of the credit for the uptick. UltraViolet also continues to grow, and Walmart’s “disc to digital” cloud service has been improved. Don’t expect Amazon to extend its “Amazon-purchased CD to digital” plan to movies, though.

5. Amazon has also launched a new mp3 store targeted toward iPhone/iPod users, offering a shot across iTunes’ bow. iTunes now has a partnership with Rolling Stone, whose iPad magazine will have links to Apple’s music store. The blog Asymco has graphed the iTunes economy.

6. 2012 music sales indicate the CD’s impending demise and the digital single’s growth. Other trends revealed from the figures are that big hits take up an increasing share of download sales; rock and pop music dominated, though country music sales rose compared to 2011; and indie labels grabbed one-third of album sales.

7. The number of children reading books on digital devices is rising, though over half of kids still have never read an e-book. Libraries are also said to be losing their influence among children, but maybe video games at libraries can help. There’s also a plan in the works in Texas for a bookless, all-digital library.

8. The Wii U is bringing in more revenue than the original Wii did in early sales, but that’s only because it costs more. Nintendo’s president says sales of the Wii U are “not bad,” given the competitive landscape, and Nintendo is merging its console and handheld divisions to better deal with that landscape. Xbox 360 has finished its second year as the best-selling console, and Microsoft says that the next Xbox system will fill your living room with images to immerse you in games. And we can now say goodbye to the dominant console of the past, the Playstation 2, which will no longer be made.

9. Pingdom offers a slew of stats on how we used the internet around the world in 2012, from search to mobile to email, while Mashable has an infographic specifically on social media use in 2012. The FCC is looking to expand Wi-Fi spectrum space so we can do even more online in 2013, like look at video ads.

10. Some of the finer News for TV Majors posts from the past few weeks: Anger Management Returns, CNN-SI Change, OWN Hopes, Double Your FX, TCA & Twitter, The Killing Will Return, Dish & CBS Battle Ropes in CNET, Corrie Coming to Hulu, Five-0 Ending, Time-Shifted Viewing, Soap Revivals, Video Sharing Passed, Netflix & Ratings, Al Jazeera America, PBS at TCA, The CW at TCA, CBS & Showtime at TCA, Arrested Development at TCA, ABC at TCA, FX at TCA, Fox at TCA, NBC at TCA.

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What Are You Missing? April 1-14 http://blog.commarts.wisc.edu/2012/04/15/what-are-you-missing-april-1-14/ Sun, 15 Apr 2012 13:42:04 +0000 http://blog.commarts.wisc.edu/?p=12676 Ten (or more) media industry news items you might have missed recently:

1. EA was voted the worst company in America — even worse than Bank of America! — as gamers perceive it to be greedy — even greedier than Bank of America! This could be Mass Effect ending fallout, or much more than that, and EA is also on the defensive regarding its inclusion of LGBT content in games. The dreaded Family Research Council is partly behind this (actual quote from the group’s leader: “In a new Star Wars game, the biggest threat to the empire may be homosexual activists!”) But some are accusing EA of exploiting this as a smokescreen to distract from its genuine worst company tactics. I bet Bank of America is happy it merely deals in our money and not our games.

2. Peter Knegt catches us up on how the specialty film box office has done so far this year — in short: not bad, not great — and there’s good news in a new indie film distributor joining the ranks called Adopt Films. Adopt foresees revenue ahead in video-on-demand, and those options have just expanded for indies via SnagFilms and Sundance. One just hopes VOD doesn’t help indie films online at the expense of local theaters.

3. Dreamworks has hit a rough patch, with Jeffrey Katzenberg losing money, layoffs to 10% of its staff and the resignation of the head of physical production, and the studio hopes a new financing deal with Reliance Entertainment and fewer films under production will make for a smoother road head.

4. DVD rental stores are dying, as we say goodbye to icons like Reel Life South in Brooklyn, while employees at Netflix get to take vacations whenever they want. Netflix has offered info on how its recommendation system works and also revealed it never bothered to use the algorithm it paid $1 million in a contest for because it doesn’t really need it, especially in the shift from DVDs to streaming. Poor DVDs.

5. YouTube is becoming a bigger player in online video thanks to a deal with Paramount and a pay-per-view option for live streaming, but Will Richmond questions its future as an online movie rental service. Many are questioning UltraViolet’s future, as it may be too late to tame Apple. Meanwhile, Amazon has resorted to juking stats to inflate its streaming reputation.

6. In an era when magazines are struggling and even the mighty NFL could keep one afloat for only four issues, it’s interesting to see 52 new magazines start up in the first quarter of this year. A new digital newsstand app could make for a healthy future for magazines on tablets, and newspapers are also getting excited about the tablet revenue model, but there’s still a huge gap between print and digital revenue to make up first. One also wonders how USA Today will slip its adaptive mobile app under hotel room doors.

7. 20% of Americans are curling up with e-books, and as many as 67% of libraries are lending them out, yet we’ve reached a state of uncertainty with the Apple pricing lawsuit. There are also concerns about how Google is treating independent bookstores with its decision to prevent them from selling Google e-books through their websites, and DRM technology isn’t helping indies either, while many are still trying to figure out if Amazon is altruistically helping small presses or not.

8. Spotify is stalling in US subscriber growth, but Glenn Peoples says people are disappointed just because their expectations were unfairly high. Plus, despite $60 million in losses, Spotify is expected to rake in nearly a billion dollars this year. It’s also looking to spread its influence more widely by offering embed codes for users to put songs on blogs and Tumblrs.

9. At least 20% of American adults are not reading WAYM because they don’t use the internet at all. But 61% of US households do have Wifi, so they have no excuse not to be catching up on their media industry news here. If someone were to hack into WAYM, it seems they’d most likely come from China. And Antenna is in good company, because most of the best blogs are on WordPress.

10. Some of the finer News for TV Majors posts from the past few weeks: Execs v. Audiences, More Sitcoms, Freaks & Geeks Walkthrough, Girls Coverage, Sympathy for Showrunners, 2011’s Biggest Moneymakers, Pay TV Costs, NEA Cuts Hurt PBS, Connected TVs, YouTube-Viacom Back On, Political Spending, Simon Criticizes Critics, Xbox Xfinity a Go, NBC’s Odd Ways, Peabody Awards.

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