holiday – Antenna http://blog.commarts.wisc.edu Responses to Media and Culture Thu, 30 Mar 2017 23:48:47 +0000 en-US hourly 1 https://wordpress.org/?v=4.7.5 Television and the Haunted Holiday http://blog.commarts.wisc.edu/2010/10/28/television-and-the-haunted-holiday/ http://blog.commarts.wisc.edu/2010/10/28/television-and-the-haunted-holiday/#comments Thu, 28 Oct 2010 17:40:32 +0000 http://blog.commarts.wisc.edu/?p=7067 Each year, the weeks before Halloween are inundated with television episodes featuring costume parties, haunted houses, and trick-or-treating. It’s the perfect television holiday: costumes bring spectacle, haunted houses bring suspense, and trick-or-treating brings a sense of ritual to the proceedings. It’s simultaneously eventful and reaffirming, disrupting the everyday but doing so through a yearly tradition that unites family/friends/co-workers/etc.

This time of year is always particularly interesting for me since I have no real interest in the holiday: I don’t particularly like candy, I’ve never been a fan of suspense- or fear-driven activities, and since it doubles as my older brother’s birthday it was always “his” holiday. And yet I find Halloween episodes of television fascinating because of the unique opportunities available to writers and producers.

Take, for example, this week’s Halloween-themed Modern Family: in “Halloween,” the curmudgeonly patriarch ends up dressed as a gargoyle, while the rebellious teenage girl starts off with a “naughty cat” costume – both costumes are aggressively on the nose, but that’s part of the appeal. It’s meant to be a moment of recognition, where we realize that Jay really is a like a gargoyle and Haley would dress up as a naughty cat. The show isn’t interested in the transgressive nature of Halloween costumes, as evidenced by the lack of connection between the episode’s costumes and the conflict between Jay and Gloria in regards to her accent; instead, the show is interested in the idea that it’s fun to see the characters the audience loves dressed up in extremely elaborate Halloween costumes, a simple pleasure and little more.

Although many Halloween episodes boil down to this sort of narrative, what makes the holiday so interesting is its versatility. It operates more or less independent of class: Modern Family’s characters are considerably wealthy (just look at the quality of their costumes), but the blue collar family on Raising Hope is also able to take part in Halloween festivities in their own way. It also works across all demographics: the cast of Friends or How I Met Your Mother aren’t going to go trick-or-treating, but between being a kid and having kids there is a stage where Halloween is an excuse to party. The holiday is similarly versatile in terms of situation, as it is just as relevant to a workplace environment or educational setting (like tonight’s episodes of The Office and Community) as it is within a more domestic space.

However, the quality I think creators find most appealing about Halloween is that it blurs the line between fantasy and reality. It gives The Simpsons the license to abandon its normal structure for the “Treehouse of Horror” episodes, which are sort of the cornucopia of Halloween television tropes: casting the show’s characters within famous works like The Shining, Nightmare on Elm Street, or The Fly is similar to putting characters into costume (which also happens on occasion), and within the series’ twenty-one specials (the latest of which airs next Sunday) the show has tackled the holiday from almost every imaginable angle. Halloween is associated with so many gruesome and compelling ideas that it seems as if this trend will never run out of ways to represent the holiday.

To my surprise, though, there is some room for innovation in how these these elements of fantasy are used to a show’s advantage. Last week, Parenthood built its Halloween episode around Max, who suffers from Asperger’s syndrome. Having been sheltered from the holiday by his concerned parents, Max’s determination to take part results in a dissection of the Halloween experience: his mother has him practice trick-or-treating with his sister, they ask neighbors to replace candles with glow sticks (since Max is afraid of fire), and they plan out a route to avoid the elaborate haunted house in their area. And yet, after discovering that his younger cousins are willing to face their fears, Max insists on going to the haunted house’s door.

It’s a great scene because it uses the same tools as one would expect from a horror film: time seems to slow down, Max’s senses become highly active, the camera takes on his point of view, and his family waits anxiously as if they have just sent Max into an actual haunted house. And yet, the horror dissipates: Max screams, but of joy rather than terror. While the episode has the costumes we expect (including a bit of meta-humor in Mae Whitman, late of Arrested Development, wearing a Banana costume), it is less interested in humor of recognition and more interested in showing us a perspective on the holiday that we have likely never seen before, but through the use of a set of fantastical tropes we come to expect from the holiday.

This is a particularly populated year for Halloween episodes: since last year’s success stories mostly avoided the holiday (outside of Community, which is doing it twice), this is the first year for full-on Halloween episodes for Modern Family, Cougar Town, The Middle and Parenthood, and news shows like Raising Hope, Better with You, and Outsourced are jumping right in. It’s an ideal test case for the effect on ratings and critical success of such episodes (ABC’s Wednesday comedy block was up sharply, for example), so I am curious whether anyone else has felt tricked or treated by this year’s crop of ghoulish takes on your favorite (or potentially least favorite) shows.

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Holiday Media http://blog.commarts.wisc.edu/2009/12/25/holiday-media/ http://blog.commarts.wisc.edu/2009/12/25/holiday-media/#comments Fri, 25 Dec 2009 18:46:12 +0000 http://blog.commarts.wisc.edu/?p=730 junkys_christmas_dvdWhat are your and your family’s holiday viewing, listening, and/or reading rituals?

Personally, I find Christmas Story kind of creepy and trippy myself, but I’m a sucker for:

  • It’s a Wonderful Life on TV or DVD
  • “Fairytale of New York” by The Pogues and (my father’s favorite, and hence an Xmas special) “Merry Christmas, Baby” by Bruce Springsteen
  • “A Christmas Memory” by Truman Capote (we have friends who read it aloud as a group each year, and it’s a neat tradition)
  • William Burroughs’s “A Junky’s Christmas” is also kind of awesome in its own way

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What Do You Think? Holiday Episodes http://blog.commarts.wisc.edu/2009/12/13/what-do-you-think-holiday-episodes/ http://blog.commarts.wisc.edu/2009/12/13/what-do-you-think-holiday-episodes/#comments Sun, 13 Dec 2009 14:56:15 +0000 http://blog.commarts.wisc.edu/?p=633 TV Guide Christmas coverIt’s December, TV fans, and you know what that means: holiday-themed episodes. Now, we’re not talking about holiday specials like “Merry Christmas, Charlie Brown”–we’re talking about when your favorite TV characters celebrate the holidays to hilarious or moving effect.

What are some of your favorite TV holiday episodes? They can be episodes that aired last week or in 1952–it doesn’t matter! Weigh in with your favorites in the comments. To get you started, here are four of my personal picks!

Seinfeld–“The Strike” (1997) This holiday episode brought us Festivus, a holiday that the Seinfeld canon tells us was developed by George’s father, Frank Costanza, in response to the commercialization of Christmas and Hanukkah. The holiday was actually developed in 1965 by writer Dan O’Keefe, but most of us only know Festivus and its aluminum pole (replacing the traditional tree) from the Seinfeld crew. It’s a Festivus for the rest of us!

Felicity–“Finally” (1998) In this first season episode, Felicity and Noel attempt to put off defining their new romance in order to study for finals. (Of course, they can’t possibly study because they’re too busy making out.) What makes the episode so great is the efforts to cut together related but individual storylines involving the entire ensemble, mirroring the hectic experience of studying for college finals. The highlight of this episode, though, is when Noel takes some of the “Smart Powder” being distributed by Felicity’s roommate Meghan and has an allergic reaction. His crazed misunderstanding of Felicity’s interaction with Ben makes for some festive hilarity, and makes this a memorable holiday classic.

Happy Chrismukkah from the CohensThe OC–“Best Chrismukkah Ever” (2003) The OC became relatively well-known for its annual Chrismukkah episodes, and the series even launched its own holiday-themed album (one I highly recommend). Of the series’ four holiday eps, though, the first was the best. Ryan’s very own Cohen-family Chrismukkah stocking! Anna & Summer fighting over Seth! Marissa getting drunk (again)! Jesus & Moses working together to perform a Chrismukkah miracle! What more could you want?

The Office–“A Benihana Christmas” (2006) The Office has had a few memorable and entertaining holiday episodes, but my favorite is an hour-long episode in which Michael is dumped by his girlfriend, Carol. To cheer him up, the guys take him to Benihana, where the boss drinks too much and ends up bringing two waitresses back to the office Christmas party. Hijinks ensue, as they do at Dunder-Mifflin, and the highlight, in my opinion, is the moment Michael marks one of the waitresses with a marker because he can’t remember which of the two potential paramours is “his” and which is Andy’s.

There are certainly lots of others–many classic TV episodes I’ve left off the list, and I haven’t chosen any mid-season cliffhangers–but these four are among my favorites. So now it’s your turn–what are some of yours?

Psst! Need some inspiration before chiming in? Check out this awesome listing of full holiday eps available online!

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