1. The MPAA’s 2011 Theatrical Market stats indicate that domestic movie theater attendance continues to decline and not even 3D is helping anymore. Only international attendance offers good news for studios. Theaters are getting desperate, and some are answering some spectators’ stated desire to use social media during screenings, even the Alamo Drafthouse (approved screenings only). And live theater is getting into the act by setting aside “tweet seats.”

2. DVD rentals are plunging, and internet movie consumption is about to pass DVD consumption, which is a problem for the studios because they don’t make as much money online as from DVD yet. Studios insist people still want discs (though different ones for rental and sales), and even though Netflix seems to want DVD to die off, it has just bought the DVD.com domain (perhaps for Rickrolling purposes).

3. Digital magazines are flying off the shelves…er, screens, though digital circulation is still only 1% of total magazine circulation. Unfortunately, some are reporting that magazines look terrible on the new iPad, but people will seemingly keep buying anyway. In the e-book realm, sales are surging, especially among young readers.

4. The RIAA reports that subscription music services are starting to rake in revenue, even as Spotify, whose valuation is growing, extends its free US usage. Indie bands are turning ever more to advertising to bring in revenue, and indie beers are seeking out indie bands. But Weird Al Yankovic is going the old-fashioned route: suing a music label for underpayment.

5. The next Xbox could be a stripped down version, which is interesting in light of the fact that Xboxs are apparently used more now as entertainment centers than game consoles. In terms of mobile gaming, our mobility doesn’t go much further than our beds, which means millions are playing Angry Birds Space before bedtime.

6. Racist tweets can land you in jail, profane tweets can get you kicked out of school, Chinese tweets can let you say more (poor Spaniards), and promoted tweets can make people leave Twitter. But movie tweets can’t really tell us much of anything.

7. The internet economy now constitutes 4.7% of the US economy, and growing, but a judge ruled that unpaid Huffington Post bloggers don’t deserve a cut of any of that. Bots, Democrats, Santorum searches, and stupid AOL sites are clearly vital to the internet economy, though.

8. Nielsen stats and many mobile ad execs say the smartphone race now comes down to Android vs. Apple, with Apple coming on especially strong lately, while RIM (Blackberry) is struggling. We’re increasingly using our smartphones, tablets, and computers on airplanes, leading some to call for the FAA to review its gadget policies. Just don’t leave your phone in the seat back pocket, or you’ll be just another statistic among those who lose $30 billion worth of smartphones each year.

9. Google and Twitter are running into potential censorship issues in the UK in regard to privacy, while thousands of BitTorrent clients are having their identities revealed thanks to a suit against an illegal UK porn site brought by Ben Dover Productions (I couldn’t resist adding that detail) and other porn producers. In less dirty (if not sanitary) UK video news, Charlie’s family has now banked $500,000 from the viral popularity of Charlie biting his brother’s finger (though when you consider that it’s the most viewed amateur video on YouTube in the site’s history, that doesn’t sound like that much).

10. Some of the finer News for TV Majors posts from the past few weeks: Olbermann Out, News Corp Accused of Sabotage, CBC Cuts, Premium Channel Revenue, Dodgers Bill, Cable Ratings Drop, Xbox Update, FX’s Risks, End Recaps, Variety For Sale, Smash Will Return, Aereo Likely to Lose, Network News Adds Viewers, Nielsen Measuring TV & Online.

1. There have been a flood of articles the past few weeks about how the conversion to digital projection threatens the future of small, independent theaters, historic movie houses, and drive-ins, and it’s been most interesting to see the local news stories about how individual theaters will cope and what the loss of a theater might mean to a local community, in an era when it’s already tough to get people out to theaters.

2. Because I skipped a week here, this is old news by this point, but still worth making sure you saw it: Joe Biden helped to negotiate a new deal with China that will allow more Hollywood films into the country, and even independent filmmakers got some bonuses from it. And you know what, I didn’t think I was going to get a Lionsgate reference in this time, but while googling for more info on the China deal, I saw that Lionsgate has signed a video-on-demand deal in China. Thanks to Lionsgate, the Chinese will get to see Dirty Dancing whenever they want!

3. Hollywood foreclosures are up, a consequence of new technologies, says Greg Sandoval, and there could be even more empty homes in LA in coming days as new laws requiring condoms are prompting the porn industry to threaten leaving the area, plus porn stars in particular are struggling financially.

4. Netflix has resurrected the Qwikster idea again, offering a DVD-only monthly plan, but unfortunately we don’t get to laugh at the dumb name this time around, as it doesn’t have any special name. Peter Kafka still sees this as Netflix not really caring about DVDs; indeed, CEO Reed Hastings keeps saying streaming is the end goal. Meanwhile, Blockbuster stores are just about at their end, period.

5. While Netflix is all about streaming, Warner Bros. is looking more to the cloud and to downloadable content. Wal-Mart is looking to help out the UltraViolet system with in-store instruction. And Facebook is looking to start a trend of social cinema by hosting movies on its site.

6. Spotify is still struggling to convince some musicians that their service is financially advantageous for artists, but music label chiefs are starting to be won over. Google Music isn’t working out as hoped yet, though, and we’re still waiting to see what Apple might offer in a streaming service within the current online music landscape.

7. Video game retail sales dropped significantly in January compared to last year, while social gaming from companies like Zynga, now trying to separate itself from Facebook, is more promising, and kids love the iPad for games.

8. A few weeks ago, I hadn’t even heard of Pinterest. Now I could fill a whole WAYM post with links to Pinterest articles alone. Of course, I probably don’t need to include them in WAYM because you’ve heard of nothing but Pinterest lately, but here are a few just in case you’ve somehow missed out on the Pinterest frenzy: Pinterest’s traffic has been huge and user engagement figures are high, especially among women. The service mainly makes money from affiliate links, and there’s some question about how much users realize this (and if they would care). Pinterest has been a boon for small businesses, but it perhaps has a porn problem on the horizon.

9. If Pinterest is for women, apparently Google+ is for men. Not that many men, though, as  Google+ continues to languish, unused by most. But some say Google doesn’t care if you use Google+ regularly or not. The point is getting you just to sign up so Google can grab your biographical data.

10. Some of the finer News for TV Majors posts from the past few weeks: NBC Wins Sweeps (Sorta), Apple Being Tough, Aereo Streaming Service & Aereo Doomed & Aereo Sued, Fall Pilots & Pilot Analysis, Mad Men Marketing, DVR Use Stats, TV Everywhere,  GOP in HW, Doctor Who Fandom, Google’s TV Efforts, Decline of the Episode & More on Episodes, New Comcast Channels, Comcast Going After Netflix, BSkyB’s Internet TV Plan.

1. One analyst is telling the Hollywood studios to defy exhibitor objections and make early video-on-demand releases of theatrical films happen. Funny or Die likes that idea so much, it’s making Tim and Eric’s Billion Dollar Movie available online even before it hits theaters. One theater chain has boycotted One for the Money not because of distribution objections; they’re mad that Lionsgate made a Groupon deal for tickets. (Just when you thought Lionsgate might not make an appearance in WAYM for once, boom, there it is.)

2. Distribution deals at Sundance have been modest but steady, as buyers forge on despite few of last year’s deals paying off. A partnership between a digital exhibitor, Cinedigm, and a veteran distributor, New Video, looks to make possible multi-platform deals for indie films, and there’s even now an automated way to submit indie films for distribution consideration. (Bonus link: Sundance awards were handed out last night.)

3. Independent films snagged 60 Oscar nominations (though you’ll see in the comments section of that article a debate over what qualifies as independent), but the French indie film Declaration of War got snubbed. Given Fox International’s new strategy of investing in foreign films made for their local markets, it seems the major studios could horn in on the foreign language film category someday soon. Once again, there won’t be many women at the Oscars for producing, directing and writing awards, as 2011 was a dismal year for female employment behind the camera. The imbalance is even worse in trailer voiceovers.

4. Tablet and e-reader sales are soaring, and about one-third of Americans own some form of e-reader now. And while e-book sales growth has been slower than many predicted, e-book lending is surging. While this seems to spell death for bookstores, some indie bookstores are growing, and African-American independent bookstores in particular illustrate that relationships with the local community are crucial to survival.

5. Musicians are increasingly objecting to streaming services carrying their music, though a Sony exec insists they don’t hurt download sales. Either way, we may end up seeing distribution windowing of music soon, and it will also be interesting to see where the RIAA’s lawsuit against ReDigi will go, as ReDigi insists it’s legal to buy and sell pre-owned iTunes music files.

6. Nintendo’s got some challenges ahead: Wii-related sales are plunging, the 3DS isn’t selling, and no one seems to know what the Wii U even is, plus the next Xbox will well surpass the Wii U in performance. Meanwhile, Microsoft managed to make a whole theme park out of the Kinect.

7. McDonald’s’ attempt to encourage #McDStories on Twitter went awry, but the #littlestories campaign has apparently gone smoother. More profoundly, an homophobic hate group’s anti-gay hashtag got brilliantly hijacked. Soon, the power of hashtag trending and hijacking will be available to right-to-left language users.

8. Comcast is tops in broadband speed, but has given up on the wireless business, while telecom companies are dumping DSL. A “Super Wi-Fi” network now exists in North Carolina using old analog TV spectrum (thus it’s technically not wi-fi) to send signals across a further range, but its future prospects are in question thanks to the spectrum bill in Congress.

9. Google seems determined to violate its traditional “don’t be evil” standards lately: the company has been accused of poaching Apple employees, conspiring with Apple and other companies to keep wages low, facilitating illegal pharmaceutical websites, misrepresenting its privacy policy and trampling on privacy rights, and detrimentally limiting access to the Google Maps platform.

10. Some of the finer News for TV Majors posts from the past two weeks: Social Growth, NAB Criticizes TWC, Stealing Downton Abbey, Leno Complaint, Netflix News, More Netflix News, Defending Episodic Viewing, Live & Streaming Audiences Diverge, TV Nudity Clause, Modern Family Placement, Fans Affect Revenge, TV Everywhere Revenue, Piracy Fight, Prime-Time GH, Letterman Booker Fired, NBC’s Flaws, New TV Analysis Site.

Ten (or more) media industry news items you might have missed recently:

1. Raking in $1.6 billion in revenue this year, YouTube dominates as the top online video destination, with much of that audience coming from overseas. Given Disney’s global popularity, its new deal with YouTube might pay off richly then, especially if it can nab viewers via tablets, as a new study indicates that tablet viewing pays off more than desktop viewing of online video in terms of viewer engagement. Just imagine how engaged you’d be by a 52-inch tablet playing Maru videos.

2. Home video spending finally rose this summer for the first time since 2008, and the studios are looking to bolster it even more by considering a 60-day ban on DVD rentals, while Warner Bros. is hoping its Flixster service for the UltraViolet system will move digital product, with the new Harry Potter release as an early test (to mixed reviews thus far). Few in the indie film world seem to care when a movie is released on VOD and theatrically simultaneously, but Hollywood did care about Zediva’s remote DVD streaming service, and that’s accordingly been shut down.

3. Oscar made more changes than the ones you certainly heard about, including hiring a new talent producer and scrapping the ten nominee quota for Best Picture. Steven Spielberg’s The Adventures of Tintin has tossed its hat into the Best Animated Feature ring and is already playing overseas to big box office. Based on what Peter Knegt says, the upcoming Independent Spirit Award nominees (announced November 29) aren’t likely to also make the Oscar cut.

4. Alexander Payne finally has a new movie coming out next week after a seven-year absence from features, while the master of the long absence, Terrence Malick, is reportedly shooting two movies (!) back-to-back (!) next year. To ensure that studios can afford to make more movies without absences, Gavin Polone suggests that they should take some perks away from stars, but it appears that the logic of perk-removal is leading to an exodus of execs from Twentieth Century Fox.

5. The major studios are supportive of two Congressional bills to rewrite the Digital Millennium Copyright Act, and record labels want to see the DMCA rewritten too, but technology groups and musicians are staunchly opposed to the proposed changes. But hey, I’m sure content providers are acting in good faith, right? Like Warner Bros., which admitted to demanding files be taken offline under DMCA rules without actually looking at what those files were, let alone knowing if it owned them (and one of them was actually a web comment, not a file: “A scraper apparently misidentified part of a web comment as an infringing URL, and no one at the studio noticed the mistake.” Ha! Oh, Warner Bros., silly studio.).

6. Reading tablet wars! Barnes & Noble is going after the Kindle with a new Nook, and Samsung is going after both of them with the updated Galaxy Tab, while Amazon is making the Kindle more attractive with the Lending Library, though major publishers aren’t on board. If publishers continue to drag their feet, it seems possible that self-publishing could come along to usurp them. The future might also bring e-textbooks and glowing screens.

7. The music industry just got smaller with Universal and Sony’s split purchase of EMI (Universal got the recording part, Sony the publishing part), though regulators still have to sign off. While Universal can celebrate that, it received bad news that a class action suit against them is moving forth; it accuses Universal of underpaying digital royalties, including on ringtones (which are still a big business). Sony, meanwhile, just has its eye on dominating the music industry.

8. Angry Birds has big sales and big influence, and now has its own store in Finland. And with physical game sales down (though Call of Duty: Modern Warfare 3 certainly did alright), such phone games are showing dominance. A new study out of Michigan State says playing video games can make kids more creative. Indeed, when I play Angry Birds, I often end up formulating very creative scenarios for demolishing my iDevice.

9. Did you know the internet died last week? Only for a few seconds, and only for Time Warner Cable customers, but still. Most aren’t missing Internet Explorer, and Microsoft is basically reduced to paying users to download it. Wikipedia might need to start paying editors, because many articles are missing citations (this article also cites a German Wikipedia backlog clean-up competition called Wartungsbausteinwettbewerb, which is the coolest word that will ever appear in WAYM).

10. Some of the finer News for TV Majors posts from the past two weeks: All-American Muslim Preview, All My Children on Hold, Covering PSU, Escalating Sports Rights, EAS Glitches, Harmon Responds, Twitter Involvement, AMC’s Laziness, NBC’s Struggles, Streaming Challenge, Student Awards & Scholarship, A La Carte Experiment, Sitcoms in Syndication, Raking in Retrans, TV Set Struggles, Good Wife PSA.

1. With indie movie theaters fighting for their lives against the big chains, and indie distributors continuing to struggle for profits, some argue the future of independent films lies in video-on-demand, a route which Lars Von Trier’s new film Melancholia is trying out (just don’t ask Von Trier to comment on it). Netflix may or may not be the future for indies (at least one indie filmmaker likely feels definitely not). Maybe the future lies in serving booze, like at the Alamo Drafthouse, which is looking into new LA and NY outlets. They can save time by not looking into Utah, where a theater got fined for serving alcohol during a film deemed sexually explicit (The Hangover Part II. For real.).

2. Hollywood films are increasingly getting the video-on-demand and online release treatment, with Paramount making the latest Transformers movie available to rent on its own website and UltraViolet finally launching next week with Horrible Bosses. But while those films have had standard theatrical windows, Universal is poking the theater owner hornet’s nest by planning to release Tower Heist on VOD only three weeks after its theatrical debut. The Cinemark chain says it will refuse to screen the film in protest, but Will Richmond says the VOD charge for the film – $59.99! – is likely to make it a flop anyway.

3. None of these Hollywood stories are related, but they all interest me so they all get included: Lions Gate STILL can’t shake Carl Icahn, the MPAA reversed a content rating ruling on an upcoming drama, most of the Hurt Locker file-sharing defendants are off the hook, religion-focused films are on the rise, the foreign language Oscar race already has its usual share of controversy, a woman is suing Drive’s distributor for false advertising and racism (no, really), and the Academy might finally build a film museum in LA (no, really).

4. iTunes is spreading even further across Europe, and Apple is also working on global cloud-music rights. Rhapsody has acquired Napster in a bid to better compete with Spotify, and in Sweden, music piracy has dropped since Spotify arrived, illustrating that people are willing to pay if the service is worth it (and overall sales in the US happen to be up this year), while one new label is going to give out its music for free.

5. Nielsen scoured social media to come up with a list of the top 20 video games on holiday wish lists. Music video games are no longer high on such lists, though Rock Band is still picking up likes. Not picking up likes is Bill Bennett, who says gaming is destroying our country’s manhood.

6. Magazines are having to adapt to the mobile age. Spin, for one, is reducing its print run and expanding its online presence. Others are trying to get on board with the Kindle Fire. But one expert argues magazines might ultimately see their lifeblood – advertising – threatened by Facebook. Apparently Vogue is doing something right, because it’s been named Ad Age’s Magazine of the Year. (Apparently magazines don’t do much from October through December.)

7. Twitter is either doing well: over a thousand more advertisers on board than last year and ad revenue predicted to grow by 210%. Or it’s falling apart: internally it’s a mess and morale is low. A lengthy NY Mag profile of the company fittingly notes that anxiety and optimism are found in equal measure at the company. Maybe Twitter can measure it own mood as well as it can the world’s.

8. Tumblr is the latest social media success story, now with more page views than Wikipedia and valued at $800 million. It’s no Facebook, which is now as big as the internet itself was in 2004 (but not as big in Brazil as it is in Singapore and elsewhere globally), but it’s making more noise than Google+, which claims that it’s a good thing there doesn’t appear to be a lot of action going on there.

9. Google is huge. Amazon is huge. Delicious is redesigned. Chrome is catching up. Open Range is dying. Diggnation is dead.

10. Some of the finer News for TV Majors (@N4TVM) posts from the past two weeks: Canadian Cancellation, BBC Cuts, Behind TOLN, Fox News Reflection, Hulu’s Problem, Future of TV Report, MTV Remade, Spectrum Fight, The ESPN Dilemma, Cable A La Carte, More Screens Are Better, GLAAD Report,  FX Ad Drama, News Study.

1. With bookstores dying, chains and independents alike, many have great expectations for digitization. Thankfully, libraries might still matter in such a world, as indicated by Amazon making Kindle books available to libraries, even allowing you to make saveable margin notes and highlights. Amazon also has a Netflix-style e-book rental service in the works.

2. Amazon was also in the news for awful warehouse conditions, its Appstore quietly going international, and being targeted by new Internet retailer tax legislation in California. Cloud computing services are about to make the latter even more complicated. Also likely to get even more complicated is the Net Neutrality issue, which might see new rules go into effect on November 20, but those will likely be challenged in court. Meanwhile, we can all look at this cool infographic and lament that Eastern Europe and a lot of other countries are leaving the US in the dust when it comes to internet speeds.

3. You’ve heard all about Netflix’s rough times lately, but you may not have seen this handy chart of the company’s diving stock value or heard about its headquarters lawsuit. A possible future threat looms in the form of the studio-backed cloud service UltraViolet, which Wal-Mart might get on board with, while the indie world is watching SnagFilms and Prescreen with interest.

4. Oscar season might have more serious dramas in the mix, thanks especially to Sony, and it will also have some new publicity party rules, though those might mean nothing in the end. Serious drama of the non-fictional sort continues to play out in Iran, where the co-director of Jafar Panhi’s This is Not a Film has been arrested. The British apparently prefer serious drama on screen to real life, as a BFI report found that the British public considers cinema to be more worthy of their attention than world news.

5. DreamWorks might expand production into China, while Paramount is expanding in its own back yard. Stephen Spielberg regrets expanding digital effects for an earlier release of E.T. and says he won’t do it again, but you can plan to see (or not see) an expansive version of Top Gun in 3D, while James Cameron doesn’t think just anybody should be able to make films in 3D.

6. Nielsen released a comprehensive report on social media use, including a person-shaped infographic; with a mere silhouette stance, it clearly signifies hipster. (Bonus international social media use infographic!) It was only a little over five years that us hipsters started using Twitter, though it was called Twttr then (slogan: “If you have a cell and you can txt, you’ll never be bored again…E V E R!”). And now any hipster who wants to can join Google+; nearly 50 million already have (though according to my feed, only about five are regularly posting).

7. In Japan, the Tokyo Game Show was packed, but the Microsoft Kinect booth wasn’t. In the US, video game makers are enjoying big tax breaks, and GameFly professes not to be worried by Netflix’s move into video game distribution. And online, YouTube is a frequent destination for gamers, and online gamers might help to cure AIDS.

8. Spotify is now open for business to all Americans, but it’s also dealing with significant dissension and defection from indie labels over low royalty payments. Spotify argues it’s being fair, and you can compare for yourself via this handy primer on how much money a band earns from various outlets. The streaming competition is about to get even thicker; unfortunately, users seem to prefer ownership to streaming.

9. This headline deserves its own entry: “Actually, there really isn’t that much porn on the internet.”

10. Some of the finer News for TV Majors (@N4TVM) post from the past two weeks: Lost History, Facebook and Social TV, Making the Daily Show, Blockbuster Streaming, Farewell to AMC, Louis on Louie, The V-Word, CBS Likes Reverse Comp, Top Chef Transmedia, Downton Breaks, Netflix & Qwikster, TV Changers, SpongeBob’s Effects, TV Everywhere Campaign. 

[Note: This is an iPad news-free edition. If you wanted info on the iPad last week, you found it, and if you didn’t want it, it found you, so I doubt anyone missed any of it.]

1. Decency, piracy, and copyright: R-rated red-band trailers are getting more controversial, while the head of the MPPA’s ratings board speaks (a bit) about the board’s job and makeup. Piracy is getting worse in Europe; it’s on the rise in France, and running rampant in Spain, to the point where Hollywood might refuse to distribute DVDs there. The MPAA can cheer up a bit at winning a piracy-related lawsuit against a search engine, and (torrenters beware!) the industry is going after tens of thousands of individual downloaders. Related, The Economist offers an intriguing questioning of copyright protection, coinciding with the 300th birthday of modern copyright law.

2. Apologies, failures, and hedged bets: Battlefield Earth’s original screenwriter apologized for the film’s awfulness, while scribe Dan Harmon very thoughtfully responded to a parent’s Monster House issue. Uma Thurman’s Motherhood sold a grand total of eleven tickets on its opening weekend Britain; here are 10 reasons why that might have happened. Hot Tub Time Machine drew more than eleven bodies on its opening weekend, but still fewer than anticipated, so here are 5 reasons for that (plus some inside info on its financials from Nikki Finke). A new study claims that Twitter can predict these failures. If so, that would sure make it easy for the Twitterati to rack up dough on the proposed box office futures market. But it’s the potential impact on a film’s box office dough that makes the film industry hate the futures market idea pretty much across the board. The Commodity Futures Trading Commission has delayed its ruling on whether to let this go forth until next week, so we’ll have to wait and see if anyone ends up having to apologize for causing a film to sell only eleven tickets on its opening week because of futures frenzy.

3. Audiences seem willing to pay for 3D movies, but some think Hollywood could be overestimating 3D’s appeal, foisting a gimmick on us, and buying into the “Avatar fallacy”, which could result in 3D fading away yet again or just being a niche, not a standard. Cinematical’s Scott Weinberg would be fine with that end result, seeing as he thinks 3D is ruining movies, while Wired’s Dave Banks is simply tired of seeing 3D suddenly appear in every medium, and even James Cameron is questioning the direction of 3D. Clash of the Titans doesn’t really put us any closer to figuring out where 3D could head, and it also leaves open the question of if we should be told whether we’re getting “real” or “fake” 3D in a film (we apparently need to be warned about subtitles, so why not this?). Finally, we can look forward to Bollywood in 3D.

4. Ah, the rites of spring: the snow melts, the trees bud, the birds return, and film critics announce that movie stars aren’t needed anymore (a pronouncement we’ll see again in summer, fall, and winter). To wit, Anne Thompson points to Matt Damon as one of the few remaining true stars, and Patrick Goldstein says that (if it sticks around) 3D could doom stars. After all, Sam Worthington’s not a star, he’s just a no-risk franchise occupant, like a seat filler at the Oscars. A.O. Scott assures us that Greta Gerwig is a star, though.

5. Sony and 20^th Century Fox joined with Warner Bros. to help stave off Blockbuster’s demise by offering DVDs to the rental outfit on the same day they become available for sale. Conversely, Netflix agreed to a 28-day rental delay with a few studios in exchange for getting greater access to studio titles for streaming. David Poland sees this as a smart move for the immediate future of theatrical and rental health. Long-term, some industry analysts see Netflix’s video-on-demand model as the future due to higher profit margins,  and due to the possibility that another dinosaur, the United States Postal Service, could put a crimp in the mailing option by ceasing Saturday delivery. Redbox is thus shrewdly sussing out the possibility of streaming films.

6. The indie film world has a few successes to point to, such as Breaking Upwards, which cost only $15,000 and made that back in one theater opening (Motherhood: take note!). And the future value of online distribution was on display with Hulu’s In the Darkness. Whether it’s screening at a brick-and-mortar theater or online, word of mouth is crucial for indie film, though digital raises the very question of what is a filmmaker. The studio world has a few embarrassments to ignore, such as the three less-than-hoped-for bids for Miramax, including one from the Weinstein brothers, with the low bids likely due to the questionable value of the Miramax library (in fact, Variety says the values of all studio libraries are declining). Meanwhile, the bidding for MGM drags on, and it seems as if nobody really wants either Miramax or MGM in the end. Nobody wants to be head of the MPAA either.

7. Quentin Tarantino’s apparently not much for video games. But has he heard about the Tactile Gaming Vest that lets you feel like your body is being riddled with bullets? Eye-tracking systems also sound very cool. Tarantino at least might want to consider producing some form of transmedia content for his films, since he can now win an award from the Producers Guild for it. This institutionalization of transmedia looks like a good thing, according to most.

8. Facebook and Google are in a battle for a billion of our social profile dollars. Facebook at least appears to be leading in the category of wicked cool infographics generated to summarize it: Exhibit A and Exhibit B. YouTube doesn’t need infographics to prop it up when it’s got “David After Dentist” going for it. Wired goes one better than an infographic anyway with this great exposition of the five secrets of YouTube success, while Mashable takes us inside the YouTube war room.

9. Random good links I have left (hey, they don’t always all fit together neatly, but how could I not include news of the Big Lebowski porn parody?): The Big Lebowski porn parody; Surviving in the Music 2.0 world; The latest music sales stats; Are puppet movies doomed by CGI?; Top ten works of journalism of the decade; This American Life infographics.

10. Links to the best News for TV Majors links of the fortnight: Human Planet; Beck, Politics & Money; FX Mainstreaming; Behavior Placement; Comcast Net Win; Simon and Treme Profiled; Friday Night Ratings Fight; A Simpler Future; David Mills, 1961-2010; Peabody Awards; Cable in Congloms; Rebranding Guide.



First up was a morning workshop featuring a set of comic book, TV, and film writers and producers, including Rebecca Dessertine, Scott Peterson, Howard Chaykin, Marc Guggenheim, and Jeff Katz. The session was filled with spirited discussion focusing primarily on the comparative techniques and conditions of writing for film, television, and comics, and the economics and aesthetics of film and TV industry adaptations of comic books. The panelists offered nuggets of knowledge I likely never would have obtained otherwise (such as the tantalizing notion that a comic book adaptation of Mad Men’s first season was proposed but deemed too expensive to pursue); great examples to raise in my classes (such as Katz discussing how during the production of Wolverine, Iron Man became a hit, prompting a flood of studio memos encouraging them to make Wolverine more like Iron Man, then The Dark Night became a hit, prompting another flood of studio memos encouraging them to instead make Wolverine more like The Dark Knight); behind-the-scenes affirmation that film and television have grown more risk-averse and licensing-dependent than ever before (there is a Jolly Green Giant movie in the works – yes, you read that right); and plenty of darn good quotes to file away for future use (Chaykin especially delivered, offering up gems like “TV is a medium that congratulates you for being too hip for TV”).

Midday brought the showrunner-studded transmedia studies and future of TV workshop with Carlton Cuse, Damon Lindelof, Tim Kring, Kim Moses, Javier Grillo-Marxuach, and Mark Warshaw. Co-moderator Henry Jenkins set an appropriate tone from the start by telling the SRO crowd that this would be a substantive academic discussion, not a Comic-Con fan fest, and the panel was indeed a highly edifying look from the creator perspective at the value and challenge of fostering transmedia properties. There was too much information from really smart and articulate people for me to do it justice in this short space, so we’re lucky that the session was recorded. What you can look forward to seeing once that is posted online is a discussion of, among other things, the tensions inherent to serving contrasting audiences, from the mass to the cult; the economic and reception contexts of transmedia properties and the uncertain future of monetizing them; the industrial implications of fragmented audiences, serial storytelling techniques, and piracy; and the impact of fan demands on the creative process. Most striking to me in regard to the latter was the panel’s evident agreement that while it is a positive that fans are empowered by the internet to communicate their opinions about story direction to showrunners willing to listen, those fans have to ultimately trust in the professional storytellers to do their jobs. Grillo-Marxuach remarked, “We cannot abdicate the right to give the audience what they need instead of what they want.”

A few hours after the showrunners and aca-fans cleared out, it was thrilling to see the room fill right back up to SRO capacity for a workshop (also recorded) featuring members of the legendary Los Angeles School of Black Filmmakers, including Charles Burnett, Julie Dash, Barbara McCullough, Cauleen Smith, and Billy Woodberry. Discussing their participation in one of the most important independent film movements in American cinema history, the panelists captivated me with stories about how they leaned heavily on one another for support while at UCLA film school and passed down that community spirit to subsequent generations of filmmakers, as well as how they drew from influences like Italian Neorealism but were driven to create African-American-centered stories that had yet to grace the screen. I’ll be teaching the LA School to my Film History class in a few weeks, and I look forward to passing on to my students the details of the communal spirit that drove these pioneering filmmakers, though I will also have to relate their disheartening stories about the current state of independent filmmaking, as each spoke of struggles to find funding and fair treatment in today’s media landscape.

Overall, I was especially struck by the big crowds attending each of these panels. Just prior to the transmedia workshop, I chatted with Andrew Douglas of the Bryn Mawr Film Institute, who recalled an SCMS conference of a decade or so ago where virtually nobody showed up to hear Arthur Hiller speak on a panel. Perhaps today’s events are a sign that SCMS members are recognizing more than ever before the vital value of being able to connect with industry figures and artists. Or as Douglas speculated, perhaps this has also been facilitated by an explosion in communications technology that has brought the media industries and academia in closer contact. If so, hopefully this means that even future conferences set far away from the film and TV capital can still drew on these burgeoning connections. After all, as Henry Jenkins invoked before introducing the transmedia panel and all of today’s workshops affirmed, in the end we’re all just geeks who share common passions and intellectual curiosity.

Ten (or more) media industry stories you might have missed recently:

1. Google has introduced a new social media service called Buzz. The biggest news surrounding it has been negative, though. In particular, privacy concerns abound, and some users have found themselves difficult situations thanks to Buzz’s autonomy. Google has responded with some fixes and suggestions, but Jeff Jarvis thinks Google would have been best off designating this as a Beta version in the first place. At least Buzz is better off than the dying MySpace, whose CEO resigned this week after only nine months on the job. TechCrunch says MySpace’s only hope is to separate from parent News Corp.

2. Social media came up with a great idea for traditional media: a Betty White fan started a Facebook page called Betty White To Host SNL (please?)!. The page now has over 280,000 fans (more than SNL’s own page). And the campaign has gotten a lot of mainstream attention and support, though SNL’s Olympics hiatus might cool the furor.

3. Mostly bad news for video games, as sales are down (2009 had the lowest average sales figures since 2005) and layoffs are up. Some think online gaming can rescue the industry. Or how about Microsoft figuring out how to design game consoles for the military? Finally, I got a kick out of this article: 10 Literary Classics That Should Be Videogames. I would totally play The Metamorphosis.

4. With the death of Miramax signaling the end of an era for indie cinema, some are questioning the future of independent film in an Avatar world. It’s a different story in the music industry: there indie music is thriving through advantages indie film apparently doesn’t have, while it’s the big music labels that are floundering. But Scott Macauley calls for a more nuanced understanding of independent cinema’s place, and Ted Hope thinks indie filmmakers can steal Hollywood’s “event picture” ideas for future success.

5. New York Magazine has a great in-depth profile on the madness that is Oscar campaigning. The Academy plans to do some campaigning of its own this year via social media. And The Root offers a (rather depressing) history of African-Americans at the Oscars.

6. Usually contemporary remakes of classical Hollywood movies are a bad idea from start to finish (The Women anyone? That’s right, no one). But the rumored Mildred Pierce remake at least has a few good things going for it: Todd Haynes, Kate Winslet, HBO. My only question: five hours?

7. Air America has died out, and some analysis of why and what’s next for liberal radio can be found at AlterNet, Huffington Post, the New York Times, and the LA Times.

8.  This week I learned about the Bechdel Test for films — 1) there are at least two named female characters, who 2) talk to each other about 3) something other than a man — and was dismayed by how few recent films I could come up with that pass it. But The Wrap insists that female-driven blockbusters are all the rage. This is the position we’re put in: we’re supposed to be happy about Dear John hitting #1. Speaking of which, I’d like to take this opportunity to quote the great opening line from Roger Ebert’s review: “Lasse Hallstrom’s Dear John tells the heartbreaking story of two lovely young people who fail to find happiness together because they’re trapped in an adaptation of a Nicholas Sparks novel.”

9. The Super Bowl ads were largely deemed to be awful this year, and they were especially denounced for being overwhelmingly misogynistic, emasculating, and all-around gender-disturbed. One good thing to come out of that: this YouTube response to the Dodge Charger ad.

10.  I’ll close with links to my own bloglinks, my favorite stories out of those I’ve posted on News for TV Majors recently: the Chuck-pocalypse, Survivor’s survival and the upside of reality tv, MTV’s dropping “music television” from its logo while Comcast renames its services Xfinity, Bones showrunner Hart Hanson gave an awesome keynote address about making TV for the masses, can Apple conquer TV?, and six Super Bowls later, CBS and the FCC still aren’t done with Janet Jackson.

One last thing: if you’ve still got nothing for Valentine’s Day, send your loved one a Lost card.