Seinfeld – Antenna http://blog.commarts.wisc.edu Responses to Media and Culture Thu, 30 Mar 2017 23:48:47 +0000 en-US hourly 1 https://wordpress.org/?v=4.7.5 Louie, Luckily http://blog.commarts.wisc.edu/2010/07/02/louie-luckily/ http://blog.commarts.wisc.edu/2010/07/02/louie-luckily/#comments Fri, 02 Jul 2010 13:00:01 +0000 http://blog.commarts.wisc.edu/?p=4993 Louie and new possibilities for half-hour television comedy.]]>

If you’ve watched television comedy in the last 15 years, you’ve seen the work of Louis C.K.  In addition to writing for The Dana Carvey Show (most notably, the program’s very first sketch, which allegedly drove it straight to cancellation), The Chris Rock Show, Late Show with David Letterman, Saturday Night Live, and Late Night with Conan O’Brien, C.K. is widely regarded as one of the top stand-up comedians working today.  In between stand-up specials and onscreen roles in The Invention of Lying and Parks and Recreation, the comedian has been courted by the major broadcast networks to develop his own half-hour sitcom.  C.K. turned down the bigger-money offers and went to FX instead; the first two episodes of his new show, Louie, premiered on Tuesday night.

This isn’t C.K.’s first starring role on television, though.  In 2006 HBO ignominiously made Lucky Louie, a multi-camera, live studio audience parody of/tribute to the ’70s Lear sitcoms, their first and only original series to be canceled mid-season.  The network’s leadership fought with C.K. over how the show fit its brand of “quality,” a struggle exacerbated at the time by HBO’s inability to replenish its stock of not-TV-like programming that had defined it for much of the 2000s.  Despite taking full advantage of HBO’s lack of restrictions on content, Lucky Louie just didn’t look right.  It was so, well, TV:

While FX’s Louie retains much of the comedian’s mordant sensibility, its visual aesthetic and narrative structure are refreshing changes of pace for the half-hour format.  Stand-up segments from C.K. provide interludes between vignettes that hew more closely to short films than to the A-plot/B-plot structure of sitcoms.  The technique isn’t entirely new (Seinfeld tried something similar before abandoning Jerry’s stand-up bits altogether), but its use in Louie is indicative of a different industrial moment.  C.K. took far less money up front from FX than he would have gotten from NBC or Fox so that he could maintain more control.  The resultant product feels like it comes from a much more personal place than a writers’ room tasked with shoehorning the stand-up’s persona into the jolly patriarch mold AND penning sassy quips for his kids.  To hear C.K. tell it:

“[FX President John] Landgraf is a very smart guy that he’s willing to do that. He has, whatever, $10 million to develop with. He’d rather break it into little pieces and try with a bunch of different people and let them do whatever they want and see which monkey with a typewriter comes up with a good show than to have this corporate science go into making two pilots that nobody wants to watch.”

Would Louie have worked better for HBO in 2006?  The program is certainly more akin to the single-camera docu-coms that have recently reigned as critical darlings than it is to the much-maligned multi-camera sitcoms, but so what?  As Michael Z. Newman notes, single-camera sitcoms are positioned discursively as “quality” against “primitive” multi-camera ones, a relationship that relies on hoary progress narratives.  Louie doesn’t represent another step towards the ultimate sitcom; instead, it adds to what Christine Becker calls “a range of available choices” in sitcom aesthetics.  We might think of Louie’s ebb and flow of stand-up to sketch-like segment as yet another possibility for a genre that has proven itself to be both dynamic and resilient over the years.  It’s comedian comedy for the post-network era.

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What Do You Think? Holiday Episodes http://blog.commarts.wisc.edu/2009/12/13/what-do-you-think-holiday-episodes/ http://blog.commarts.wisc.edu/2009/12/13/what-do-you-think-holiday-episodes/#comments Sun, 13 Dec 2009 14:56:15 +0000 http://blog.commarts.wisc.edu/?p=633 TV Guide Christmas coverIt’s December, TV fans, and you know what that means: holiday-themed episodes. Now, we’re not talking about holiday specials like “Merry Christmas, Charlie Brown”–we’re talking about when your favorite TV characters celebrate the holidays to hilarious or moving effect.

What are some of your favorite TV holiday episodes? They can be episodes that aired last week or in 1952–it doesn’t matter! Weigh in with your favorites in the comments. To get you started, here are four of my personal picks!

Seinfeld–“The Strike” (1997) This holiday episode brought us Festivus, a holiday that the Seinfeld canon tells us was developed by George’s father, Frank Costanza, in response to the commercialization of Christmas and Hanukkah. The holiday was actually developed in 1965 by writer Dan O’Keefe, but most of us only know Festivus and its aluminum pole (replacing the traditional tree) from the Seinfeld crew. It’s a Festivus for the rest of us!

Felicity–“Finally” (1998) In this first season episode, Felicity and Noel attempt to put off defining their new romance in order to study for finals. (Of course, they can’t possibly study because they’re too busy making out.) What makes the episode so great is the efforts to cut together related but individual storylines involving the entire ensemble, mirroring the hectic experience of studying for college finals. The highlight of this episode, though, is when Noel takes some of the “Smart Powder” being distributed by Felicity’s roommate Meghan and has an allergic reaction. His crazed misunderstanding of Felicity’s interaction with Ben makes for some festive hilarity, and makes this a memorable holiday classic.

Happy Chrismukkah from the CohensThe OC–“Best Chrismukkah Ever” (2003) The OC became relatively well-known for its annual Chrismukkah episodes, and the series even launched its own holiday-themed album (one I highly recommend). Of the series’ four holiday eps, though, the first was the best. Ryan’s very own Cohen-family Chrismukkah stocking! Anna & Summer fighting over Seth! Marissa getting drunk (again)! Jesus & Moses working together to perform a Chrismukkah miracle! What more could you want?

The Office–“A Benihana Christmas” (2006) The Office has had a few memorable and entertaining holiday episodes, but my favorite is an hour-long episode in which Michael is dumped by his girlfriend, Carol. To cheer him up, the guys take him to Benihana, where the boss drinks too much and ends up bringing two waitresses back to the office Christmas party. Hijinks ensue, as they do at Dunder-Mifflin, and the highlight, in my opinion, is the moment Michael marks one of the waitresses with a marker because he can’t remember which of the two potential paramours is “his” and which is Andy’s.

There are certainly lots of others–many classic TV episodes I’ve left off the list, and I haven’t chosen any mid-season cliffhangers–but these four are among my favorites. So now it’s your turn–what are some of yours?

Psst! Need some inspiration before chiming in? Check out this awesome listing of full holiday eps available online!

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