Jennifer Jones recommends checking out Damages on Netflix in our "Late to the Party" series.
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Melanie Kohnen reflects on what she learned at Middlebury College's videographic criticism workshop.
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The outdoor "maid’s room" was a common suburban feature of apartheid Johannesburg. In the 21st century many of these spaces have been reimagined as "garden cottages" and transformed into middle class assets, but traces of their segregated histories persist.
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Tim Anderson muses on Apple Music providing a walled garden of goods that, though they could not have imagined it to be successful, sounds great and has nothing revolutionary about it.
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Given the complex realities of home and the persistent simplification in its imagination during what many have dubbed the "Asian Century," Yiu Fai Chow, Sonja van Wichelen, and Jeroen de Kloet want to bracket home just as we hyphenate identity.
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Richard Hewett gorges on recent Hitchcock-ography and finds it lean on original insights — beyond further evidence of Hitch’s exercise of control, even from the grave.
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Chris Moreh explains how the need to take up the challenge posed by rapid economic growth in Asia has aided the resurrection of national imaginaries of an Asian origin in the Central European country of Hungary.
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Brian DeShazor discusses the origins of Pacifica Radio and the archival radio series, "From the Vault." The Pacifica Radio Archives was established in 1971 to house a collection of over 60,000 reel-to-reel tapes, representing the last half of the 20th century as experienced and reported on by Pacifica Radio.
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Katariina Kyrölä on somatic archives, memories of porn use in Finland, and the notion of the archive in the context of queer theory, porn studies, and media studies.
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Neil Verma explores the different uses of collective listening in public events and in the classroom, reflecting on a recent experience teaching podcast studies to undergraduates.
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Bruce Lenthall discusses the challenges and opportunities of teaching radio history to a generation of students for whom even the metaphors we often use to think about radio's early history no longer resonate.
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The Tudors and Wolf Hall can actually tell us a great deal about how the early modern appears in contemporary popular culture, as well as how we engage with the historical past.
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Rayna Denison and Hiroko Furukawa analyze how Japan’s fiction media producers have responded to the Great East Japan Earthquake of 2011 with a discourse of trauma, healing, and recovery in media ranging from manga to anime and film.
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The Mad Max series continues to be a cult classic, in part because it re-appropriates the western and the road movie and redeploys them to create an environmentally catastrophic vision of a future that we could create.
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Leora Hadas tracks creative frictions as Israeli TV dramatists see their work exported, adapted and as The Affair’s Hagai Levi puts it, taking a permanent detour from work that “started out as art.”
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D. Elizabeth Cohen discusses how teaching with media from YouTube can be a force for literacy and internationalization in South Korea.
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