
Continuing our "Honoring Hilmes" series, Jason Jacobs describes his use of Michele Hilmes’ work in his career, demonstrating her unique capacity to work across national borders both in her thinking and interpersonally.
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Continuing our "Honoring Hilmes" series, Jason Jacobs describes his use of Michele Hilmes’ work in his career, demonstrating her unique capacity to work across national borders both in her thinking and interpersonally.
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Kate Egan uses the BBFC archive to consider British local censorship history through a case study of Monty Python’s Life of Brian.
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An ode to collegiality.
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In the second post in our "Honoring Hilmes" series, Ben Aslinger praises Michele Hilmes for her intellectual curiosity and willingness to mentor a diverse array of students and projects.
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In the first post in our "Honoring Hilmes" series, Bill Kirkpatrick argues that the quality of Michele Hilmes’ scholarship is undisputed, yet the example of her great work alone is not why Radio Studies is now thriving. It is also because Hilmes has done the (arguably much harder) work of field-building.
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How far are Marvel Studios’ film and television franchises visually coded for homogeneity? How insistently, that is to say, is brand identity maintained at the levels of design, cinematography, editing and post-production processing?
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