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After just over six years in business, Antenna is done. Goodbye and thanks!
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After just over six years in business, Antenna is done. Goodbye and thanks!
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In Part 2 of 2, it's asked what repetition or originality even mean in a sequel, and how The Force Awakens is "nostalgic."
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What's new about The Force Awakens? Amidst criticisms of the film's adherence to A New Hope, is it all just repetition?
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What have been the best and the worst new additions to TV this Fall?
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With 57 reviews of 30 shows so far, what's good and what's not?
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What does HBO's deal with Sesame Workshop mean for Cookie, HBO, PBS, and their audiences?
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An ode to collegiality.
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Media and cultural studies is right to be concerned about singular, monologic declarations of value, but there’s something to be learned from the Peabodys’ mode of deciding upon value dialogically.
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If The Elf on the Shelf is trying to set up a panopticon, he's doing it all wrong.
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The charge for the series is simple and broad – to engage critically with media for children.
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A report on the recent Craft of Criticism conference at University of Notre Dame.
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"Part Flight of the Conchords, part sincere, part ethnographic in their understanding of how kids’ heads work, and funny, relaxing, and ear-wormy, they are my favorite thing on television."
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On the heels of some binge-viewing, Jonathan Gray discusses Disney Junior’s three female-centered original series
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A few concerns about open access, and especially about the predatory journals that swim in them.
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Who gets their own show, and what can we expect, for the 2012-2013 season?
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