
This year’s “Wisconsin’s Own” selections speak to the exciting way in which films tied to a particular place nevertheless negotiate multiple influences in surprising and original ways.
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This year’s “Wisconsin’s Own” selections speak to the exciting way in which films tied to a particular place nevertheless negotiate multiple influences in surprising and original ways.
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One of this year's key stories is how the industry deals with difference and inclusivity, both for developers and for the industry as a whole.
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Roger showed that popular film criticism could be an intellectually honorable enterprise—more than that, a calling.
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While The Office's documentary aesthetic has often led to the assumption the show itself was the final product, the choice to position the diegetic documentary as public television and a successful international export pushes against this assumption in interesting ways.
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Distribution remains a challenge for many artists and labels, and this initiative creates a much-needed resource that can allow artists to more easily sustain creative autonomy.
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Ten (or more) media industry news items you might have missed recently.
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"You know how sometimes when you're really really focused...you forget that you're a person? You forget that anything exists at all?"
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Retailer incentives like variant covers are nothing new, but are being emphasized strongly in today’s market.
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Ten (or more) media industry news items you might have missed recently.
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Why kickstarting Veronica Mars was not simply a procedural act, but rather a social experience awakening, mobilizing and monetizing fan cultures in real time.
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Thoughts about the EA/HRC Full Spectrum mini-conference and LGBT representation in the gaming industry.
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While the issue is ostensibly about the negative portrayal of the Tea Party, Glenn Beck and WWE have taken advantage of the situation for publicity.
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The controversy surrounding Seth MacFarlane's hosting of the 2013 Oscars offers an opportunity to have productive discussions about the role of the media in shaping ideology.
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While Defiance may seek to expand its focus beyond a primarily male audience, as a broader transmedia initiative it highlights the gendered realities of convergent media practices.
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Entourage may have already given HBO’s parent company Time Warner all that it’s capable of giving.
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