![“It’s Approximately 500 Times More Fun to Watch <i>Downton Abbey</i> in a Crowd”: Exploring the <i>Downton Abbey</i> Phenomenon](/wp-content/uploads/2015/01/Downton-Abbey.jpg)
As season five of Downton Abbey airs in the U.S., Twin Cities Public Television’s rebranding efforts inspire an exploration of the expansive U.S. public television phenomenon.
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As season five of Downton Abbey airs in the U.S., Twin Cities Public Television’s rebranding efforts inspire an exploration of the expansive U.S. public television phenomenon.
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While The Office's documentary aesthetic has often led to the assumption the show itself was the final product, the choice to position the diegetic documentary as public television and a successful international export pushes against this assumption in interesting ways.
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