
Can The Walking Dead be read as an unconscious desire to return to the frontier, or a cautionary warning about the destructive path of the modern world?
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Can The Walking Dead be read as an unconscious desire to return to the frontier, or a cautionary warning about the destructive path of the modern world?
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As more media scholars grapple with issues traditionally associated with aesthetic analysis, the need to map the history, methods, and goals of this “aesthetic turn” proves increasingly pressing.
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This piece begins a series reflecting on the trials and tribulations of digital pedagogy.
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For the most part, fan fiction is like porn—we know it when we see it. And yet when asked to delineate its boundaries, the genre is surprisingly hard to categorize.
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Why are we currently experiencing what one filmmaker has called “the lowest point since cinema began”?
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