As we bid farewell to Don’t Trust the B, we also bid farewell to a part of gay black visibility on network television. Luther was a character written in a mold that has (problematically) been deemed passé and disrespectful to the middle class, married/coupled, suburban model of gay televisibility. And for that, we should...
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In GLAAD’s recent report they mention that the total number of LGBT characters on television actually decreased this year. In part this was a result of the cancellation of the L-Word, the majority of whose character’s were LGBT. However, I believe that this year we actually saw an increase in the visibility of LGBT...
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