
Leora Hadas tracks creative frictions as Israeli TV dramatists see their work exported, adapted and as The Affair’s Hagai Levi puts it, taking a permanent detour from work that “started out as art.”
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Leora Hadas tracks creative frictions as Israeli TV dramatists see their work exported, adapted and as The Affair’s Hagai Levi puts it, taking a permanent detour from work that “started out as art.”
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Through a case study of the British ITV series "Strange Report" (1969-70), Jonathan Bignell exhibits how Michele Hilmes' example has taught him that when we look closely at the detail of history, there are always more complex and more interesting things to discover.
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What I mean by “transnational television co-production,” the tensions that shape it, and why I think it’s worth studying.
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Somewhere in the British/American relationship, a distinct genre of television has originated, which I propose to call “Trollywood.”
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Real life doesn't always have a proper narrative, at least while it's in the process of composing itself.
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