Amanda Keeler offers some initial thoughts on the pilot of Fear the Walking Dead and its use of storytelling, genre, setting, and character, pointing out that interpretation will depend largely on which elements of the original Walking Dead series resonate with individual viewers.
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How this year's ceremony's lack of narrative created discursive space filled in by everything but the production itself.
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As cases of so-called "category fraud" increase, the Emmy Awards' arbitrary points of distinction risk becoming the story.
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What I am interested here is the audience of forensic textual foragers that, like the true detectives themselves, followed the scattered bread crumbs that led towards, not the yellow brick road, but the yellow king and the city of Carcosa.
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