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In what ways does the medium and its exploration connect with the traditional foci of humanistic study: life, death, friendship, love, work, play, language, learning, history, and so on?
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In what ways does the medium and its exploration connect with the traditional foci of humanistic study: life, death, friendship, love, work, play, language, learning, history, and so on?
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What I find frustrating about the show is not simply that it ends up Othering the world, but that it could be so much better. It’s like a B student who writes occasionally brilliant sentences, yet who isn’t trying hard enough.
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It’s Spring Break for us here, hence a slowdown in publishing. But just like any bad sitcom, there’s always the clip show, so we thought we’d remind you of what’s been published here this year.
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Ten (or more) media industry stories you might have missed recently.
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(Why) Do we need the term acafandom?
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I know that even as the bad job market is a haunting reality for most grad students, it's also a gamble every one is clearly willing to take, deep down surely believing that they will beat the odds. After all, everyone whom they encounter and interact with has done so, right?
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While there have been a number of diverse responses to this year’s SCMS, a substantial portion of the discussion boils down to this central question: why do we attend academic conferences?
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Two days in and SCMS 2011 has already proved an amazing experience.
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The Antenna editors have asked some writers to contribute daily reports on the Society for Cinema and Media Studies (SCMS) conference in New Orleans this week. First up: a Thursday report from Christine Becker, focusing primarily on the SCMS website workshop.
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In this second post, I now move on to consider locally produced promos, where an increased amount of creativity seems to be put forward and the intent is noticed of “domesticating” the show for the target culture.
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In this post I propose to look at some of the promotional videos used for the Italian launch of Glee, which premiered on FOX Italia on December 25th, 2009. I will look at two examples in which the dubbed Italian version was superimposed on the English original.
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WE's new series, produced by and starring Joan & Melissa Rivers draws attention to the artifice of reality TV, but in the fourth episode, the mask slips and reveals something that may be...possibly...perhaps..."real"...
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