
With changes in how television is distributed and viewed, do we need to reconsider the annual "best of" TV lists?
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With changes in how television is distributed and viewed, do we need to reconsider the annual "best of" TV lists?
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If The Elf on the Shelf is trying to set up a panopticon, he's doing it all wrong.
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While I’ll miss Colbert’s razor sharp satire, for me the loss of this broad and deep public forum will be harder to bear.
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Understanding the full complexity of Lange's recent work requires considering it as a layer in the sedimentation of her star text and acting style.
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As Serial concludes, what does its successes and shortcomings teach us about the possibilities of podcasting?
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As a researcher, the rich and creative fandom discursively surrounding a text that does-not-quite-exist yet provides a mélange of data.
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How the Amazon series' interactive "Appisodes" reveal the possibilities and limitations associated with an emerging platform-based viewing experience.
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The New York poet Paul Blackburn’s tape collection documents his involvement with Pacifica station WBAI as a radio producer and a radio listener.
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The Recording Academy's decision to use Twitter to announce its nominees reinforces social media's role in shaping industrial practice surrounding award shows.
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Keonig’s Dictionary uses the linguistic power of naming to successfully transform affect into emotion.
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