Post by Martha P. Nochimson, Critic William Wordsworth made us believe in the ecstasy of the humble daffodil. Hannah Arendt isolated the potential for evil in the ordinary acts of people doing the business of their society. There is a long history that affirms that banality isn’t banal, for better and for worse. Three...
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In the first installment of a four-part series on the 2015 New York Film Festival, Martha P. Nochimson argues that Kyoshi Kurosawa's Journey to the Shore and Miguel Gomes' Arabian Nights trilogy dissolve the boundaries between life and death, then and now, and here and there.
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Nandana Bose unmasks the postmillennial Bollywood superhero to reveal a bricolage of transnational intertexts.
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We'll never know exactly why anyone wins Emmys, but the process weighed heavily in HBO's dominance at this year's ceremony.
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In the second installment of his two-part series on the state of comic book film adaptations, Mark Gallagher critiques their exploitation of fans' good will, as will as the strain it places on media industry talent and trade coverage.
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In part one of a two-part series on the state of comic book film and television franchises, Mark Gallagher criticizes their exploitation of esoterica and origin stories.
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Announcement of national conference for the Radio Preservation Task Force of the Library of Congress, February 25-27, 2016.
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Mark Lashley notes the rise of fan podcasts within the comedy community by discussing Adam Scott and Scott Aukerman's U Talkin' U2 To Me, and the ways in which performances of fandom are complicated by the hosts' celebrity and industry connections.
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Jason Loviglio reports from the Podcast Movement 2015 industry conference, providing a state-of-the-industry rundown that includes the divide between professional radio broadcaster "Pro-casters" and amateur "Podcasters" and the shared discourse of podcasting-as-rebirth.
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Festival film? Underground film? Dissident film? Sabrina Q. Yu on contemporary Chinese independent cinema's proliferating labels and reigning misperceptions.
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Social media and Twitter-happy stars are changing the way Hindi films are promoted in India. (With this caveat: for English speakers only.) Sripana Ray looks at film prefiguration targeting India's urban middle class.
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Like time's arrow, transmedia franchises move relentlessly forward. Or do they? Matthew Freeman looks at the retro fixation of the transmedia James Bond storyworld as an anomaly in contemporary entertainment’s perpetual present.
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Laura LaPlaca writes about the material resilience of broadcast history from the perspective of a collector and archivist, discussing the importance of acknowledging the stuff that radio and television leave behind, especially in the face of an overwhelming emphasis on the "ephemerality" of these media.
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Brian Fauteux inaugurates our "The Podcast Review" series with an analysis of The Only Music Podcast, a music podcast from Gothenburg, Sweden that offers a refreshing take on the music industries by critically engaging with bi-weekly topics.
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Kyra Hunting continues her discussion of software options for media textual analysis, suggesting that while there is no single perfect qualitative research software application available, a combination of Filemaker Pro, NVivo, Dedoose, and Cinemetrics has helped her dig more deeply into media texts.
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