How the network enacts its own hierarchies, and perpetuates the essentialization and commodification of peoples from the region.
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How the network enacts its own hierarchies, and perpetuates the essentialization and commodification of peoples from the region.
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The New York TV Festival's "Digital Day" makes one wonder just how independent the digital TV landscape is.
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Against hegemonic memory-draining statist narratives and corporate projects, the Umbrella Movement is about remembering to struggle, and the struggle to remember.
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Josh Shepperd and Chris Sterling discuss a new national preservation initiative by the Library of Congress.
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Understanding the DVD region code in 2014.
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How this year's ceremony's lack of narrative created discursive space filled in by everything but the production itself.
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MTV's 2014 VMA Awards visualize the music industry's feminist growing pains.
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As cases of so-called "category fraud" increase, the Emmy Awards' arbitrary points of distinction risk becoming the story.
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While we typically judge Emmy diversity through the nominees, campaigns and ballots offer other spaces to explore politics of representation.
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Sirius XM's recent live broadcast of the Governors Ball highlights the persistence of place, of musical “hotspots,” within the satellite radio universe.
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A report on the recent Craft of Criticism conference at University of Notre Dame.
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This year's Console-ing Passions conference emphasized the heritage and pedigree of the organization, as well as assessed the future contours of feminist media studies as a field.
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Risks, rewards, and a pair of empty shoes; how much can his political edge can he retain?
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How do we teach television aesthetics, and what does it mean to analyze or evaluate television aesthetics?
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The 2014 Oscar theme may have been “Heroes in Hollywood,” but the narrative that formed was the film industry’s contestable progress and diversity.
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