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Interstellar’s real value is as an exploration of memory, of hope, and of the power of dreaming of a better tomorrow for our kids.
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Interstellar’s real value is as an exploration of memory, of hope, and of the power of dreaming of a better tomorrow for our kids.
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“Desperately seeking the audience” of computational tools and digital methods for media studies research.
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Caroline Ferris Leader explores alternative methodologies for working on children's media culture.
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Advancing Our Way to the Bottom? My kids' “now” and “just what I wanted” style of viewership encourages them to be tiny, impatient content bullies.
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What's all this nonsense about "screen time"?
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Disney's “Tinker-verse” presents both compelling and troublesome aspects for a feminist media scholar-mom.
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The charge for the series is simple and broad – to engage critically with media for children.
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Locating and making publically accessible radio broadcasts and their supporting archival documents mitigates the generalized understandings that radio broadcasting’s past was a “mass” media of little variety, low quality and limited engagement.
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How the network enacts its own hierarchies, and perpetuates the essentialization and commodification of peoples from the region.
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President Obama’s statement calling on the FCC to implement the strongest possible net neutrality regulations is significant for many reasons, including what it signals about citizen engagement in communications regulation and the politics of media policy.
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On the racial and gendered aspects of booty music, and how they remind us that the derriere is complex, ambivalent, and socially constructed.
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Interstellar (2014) made its well-known debut last weekend. In Chicago, the film (yes, we can still call it that) screened in its “intended” format of 70mm at the Navy Pier IMAX. Its appearance there and at other such venues was predictably celebrated by old school cinephiles as yet another defiant declaration of celluloid’s continuing...
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How do forensic fandom practices work when applied to a serialized non-fiction mystery?
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On September 15 of this year, Rosie Perez took her seat as the first permanent Latina co-host of The View, ABC-TV’s long-running daytime chat show. The network confirmed its hiring of Perez (an Oscar-nominated actress also known for her work as an author, filmmaker and activist) only a week or so prior to the...
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The New York TV Festival's "Digital Day" makes one wonder just how independent the digital TV landscape is.
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