
The series deploys both technological innovation and audience-pleasing storytelling, whilst in the process educating the audience about emergency medicine and affirming the value of Britain’s NHS.
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The series deploys both technological innovation and audience-pleasing storytelling, whilst in the process educating the audience about emergency medicine and affirming the value of Britain’s NHS.
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Building on Monday's post, a consideration of individual educators and our personal stakes in the Georgia State copyright decision.
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Dead women are standard set dressing on most crime dramas, but the more I watched the more I realized the women in Grimm aren’t usually homicide victims – they’re monsters.
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While the limited “wins” for the plaintiff have likely made future cases of this type more trouble than they are worth, the wider implications of the case are more concerning.
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Who gets their own show, and what can we expect, for the 2012-2013 season?
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With no prominent "Save our Show" campaign following this year's cancellations, we should turn our attention to why we’re not talking about a big cancellation in a year where a number of highly-rated shows got canceled.
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AMC's The Pitch documents the legacy of the Creative Revolution by showing proponents of creativity in advertising insisting on the value of artfulness over scientism.
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With the widespread use of Twitter and Tumblr, official and fan-produced transmedia increasingly share the same media spaces.
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Despite generic familiarity and a solid first season, Hulu's Battleground has struggled to draw the attention of critics and viewers alike as the site's first original fictional series.
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An audio interview with Chuck Klosterman, accompanied by a discussion of how his work not only blurs things that us cultural studies professors celebrate by taking “low” culture seriously, but also in a way that inevitably makes us nervous.
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HBO's Veep may have a veneer of frivolity, but it's part of HBO's larger move towards politically relevant material in 2012.
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Whether you saw their performance on Saturday Night Live, heard the insanely catchy “What Makes You Beautiful” playing over a mall sound system, or just happen to know a 12-year-old girl, it’s possible you’ve already encountered One Direction, the first truly viable boy band of the current musical era.
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Carly Rae Jepsen's Justin Bieber-supported breakthrough offers a case study for how difficult it is for stardom to remain transnational when moving into the U.S. market.
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Republican and anti-choice ultrasound bills and laws have justifiably come under fire for being physically invasive, but what they say about women as audiences and as citizens is every bit as disturbing.
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I love the SuperBowl, but not for the reasons you’d expect. I usually don’t know who’s in it, don’t care who wins it, and don’t watch it. I do, however, love to use it in class when I teach TV Criticism because I’ve found the Super Bowl’s ads are useful texts with which to...
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