Beyond the negative discourse generated by the recent DashCon convention are the con's more neglected, productive aspects for female and queer youth.
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As tragic romances, Ishaqzaade and Ram-Leela act as contemporary parables for India’s destabilized economic, political and cultural integrity.
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As cases of so-called "category fraud" increase, the Emmy Awards' arbitrary points of distinction risk becoming the story.
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Despite differences in style and content in AT&T’s branded entertainment, @summerbreak and The Bell Telephone Hour share promotional goals of consumer education and aspirational culture.
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The transition from Boy Meets World to Girl Meets World reflects changes in both the children's television landscape and cultural attitudes toward sexual harassment and girls' sexual autonomy.
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While we typically judge Emmy diversity through the nominees, campaigns and ballots offer other spaces to explore politics of representation.
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The season 2 finale of Orphan Black effectively showcased Tatiana Maslany's acting abilities, especially in its impromptu dance scene that featured the four clones.
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Casey Kasem helped put pop music in a context. In so doing, he provided a resource for listeners to recontextualize that music for themselves.
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Sirius XM's recent live broadcast of the Governors Ball highlights the persistence of place, of musical “hotspots,” within the satellite radio universe.
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Thai protesters' appropriation of the three-finger salute articulates the relationship between popular culture and politics and places the protests within a history of fan-based civic engagement.
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For a foreigner in the UK, the most telling part of this observational documentary are British households’ responses to recent political events.
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In the era of multiple platform viewing and increased time-shifting, television turns to the musical. But Fox's selection of Grease seems to ignore a string of warning signs.
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On winning GISHWHES (Greatest Scavenger Hunt the World Has Ever Seen), which enacts the fannish/digital ethos of playful creativity, experimentation, and community awareness in the world.
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When fans are asked to crowdfund the marketing of a film that will exist without their support, the meanings of Kickstarter shift considerably.
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This second installment of "I, Reboot" dives into the origins of the reboot-as-narrative-analogy and distinguishes "reboot" from "ret-con."
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The consolidation of radio ownership in the largely rural state of North Dakota is especially acute. In moments of disaster, do citizens have access to local and timely broadcasts of the Emergency Alert System?
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