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Reconsidering the delicate work of tweeting about others' scholarship, the necessity of establishing best practices for conference tweeting, and the value of digital labor.
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Reconsidering the delicate work of tweeting about others' scholarship, the necessity of establishing best practices for conference tweeting, and the value of digital labor.
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Thoughts about the EA/HRC Full Spectrum mini-conference and LGBT representation in the gaming industry.
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Amid the flurry of dialogue accumulating discursive authority as “The Year of the MOOC,” what is the contribution of the media and cultural studies scholar?
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Why are syllabi going viral, and what does this tell us about the state of higher education?
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The final installment of a two-part report on Berlinale 2013, paying particular attention to some of the less publicized, more experimental projects.
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Part one of a two-part report on Berlinale 2013, an extensive, well-organized, festival centered on the Potsdamer Platz.
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The coordinating editors of The Velvet Light Trap are seeking submissions for a forthcoming issue that explores new directions in sound studies.
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Ten media news items that you might have missed recently.
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Some thoughts on the current state of qualitative radio scholarship, plus a line-up of radio studies related papers, panels, and events at this year's SCMS conference.
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While the issue is ostensibly about the negative portrayal of the Tea Party, Glenn Beck and WWE have taken advantage of the situation for publicity.
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The controversy surrounding Seth MacFarlane's hosting of the 2013 Oscars offers an opportunity to have productive discussions about the role of the media in shaping ideology.
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One of the most significant features of this franchise is its adaptability and ability to transcend production models and multi-generational fan engagement within different industrial moments.
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A cultural discussion of 30 Rock's television legacy for feminist discourse and self reflexive satire television in the wake of its final broadcast.
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While failing to sell SUVs, the commercial offers visions of wartime American citizenship with which spectators are to identify: the forlorn dog, the crying wife, and the praying child.
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While Defiance may seek to expand its focus beyond a primarily male audience, as a broader transmedia initiative it highlights the gendered realities of convergent media practices.
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Entourage may have already given HBO’s parent company Time Warner all that it’s capable of giving.
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