Amid Europe’s so-called “migrant crisis” and extensive media and government interest in immigration, Lincoln Geraghty looks at British children’s film Paddington’s compellingly topical contribution to discourses of migration.
Read more »

How do producers of digital commons establish relations with the market, and how do they create economic value through their practices? An attempt to go beyond common misconceptions is done through looking at the phenomenon of “open movies” production within the 3D Blender and 2D Synfig animation communities.
Read more »

In part three of a limited series on Cupcakes, Pinterest, and Ladyporn, contributor Kyra Hunting outlines the anthology's "Bodies" section in order to argue that critical consideration for women's media cultures facilitates a deeper understanding of embodiment in relation to community practices, self-presentation, and technology.
Read more »

In her fourth and final post on the 2015 New York Film Festival, Martha Nochimson talks about loss as an organizing principle for Michael Moore's documentary Where to Invade Next and Don Cheadle's biopic Miles Ahead.
Read more »

What have been the best and the worst new additions to TV this Fall?
Read more »

In part two of a series on the anthology Cupcakes, Pinterest, and Ladyporn: Feminized Popular Culture in the Early 21st Century, Kristen Warner discusses the "Passions" section, where scholars consider how pleasure functions for women viewers who use female-centric media texts as models for who they want to be and what they want to...
Read more »

Today we publicly launch our software, Project Arclight, a new digital tool you can take advantage of in your research and the classroom.
Read more »

In part three of her series on the 2015 New York Film Festival, Martha Nochimson explores the thematic significance of connection in Jia Zhang-ke's Mountains May Depart, James D. Solomon's The Witness, and Stephane Brizé's Measure of a Man.
Read more »

Kiranmayi Indraganti offers an insider view of production training in India's film schools, addressing the dynamic negotiation of dominant industry styles and arthouse realism against a backdrop of fast-globalizing cultures and audiences.
Read more »

In the first installment of a four-part series on the new anthology Cupcakes, Pinterest, and Ladyporn, editor Elana Levine outlines some of the motivations for this collection as well as its guiding theoretical and thematic frameworks.
Read more »

If Jon Stewart saved or ruined democracy -- depending on who you ask -- what about Trevor Noah?
Read more »

Post by Martha P. Nochimson, Critic William Wordsworth made us believe in the ecstasy of the humble daffodil. Hannah Arendt isolated the potential for evil in the ordinary acts of people doing the business of their society. There is a long history that affirms that banality isn’t banal, for better and for worse. Three...
Read more »

Li Cornfeld reports on the 2015 Startup Battlefield competition at TechCrunch Disrupt San Fransisco, and critiques the neoliberal underpinnings of subjecting creators of innovative technologies for diverse industrial sectors to restrictive and uniform presentational paradigms.
Read more »

In the first installment of a four-part series on the 2015 New York Film Festival, Martha P. Nochimson argues that Kyoshi Kurosawa's Journey to the Shore and Miguel Gomes' Arabian Nights trilogy dissolve the boundaries between life and death, then and now, and here and there.
Read more »

With 57 reviews of 30 shows so far, what's good and what's not?
Read more »

Nandana Bose unmasks the postmillennial Bollywood superhero to reveal a bricolage of transnational intertexts.
Read more »