Leora Hadas tracks creative frictions as Israeli TV dramatists see their work exported, adapted and as The Affair’s Hagai Levi puts it, taking a permanent detour from work that “started out as art.”
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Posts Tagged ‘ authorship ’
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Making an Exit, Coming Home: Israeli Television Creators in a Global-Aiming Industry
Black Widow and Whedon Exceptionalism: Accounting for Sexism in Age of Ultron and the MCU
Piers Britton explores questions of representation and issues of authorship and creative control in "Avengers: Age of Ultron" and the Marvel Cinematic Universe.
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Downloading Serial (part 2)
As we wait to fill the serial gaps between Serial episodes, let's explore the podcast's use of temporality.
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On Kale, Transmedia, and Winning GISHWHES
On winning GISHWHES (Greatest Scavenger Hunt the World Has Ever Seen), which enacts the fannish/digital ethos of playful creativity, experimentation, and community awareness in the world.
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Negotiating Authorship: Showrunners on Twitter VI
Twitter serves not only as a platform for high-profile showrunners, but also a space where more nuanced television authorship is negotiated by writer-producers.
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Paul Thomas Anderson’s Inherent Vices?
Casting news on Paul Thomas Anderson's 'Inherent Vice' leads to a reflection on his past work, authorship, and his own inherent vices.
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In the Beginning Was the Word
Recent episodes of Doctor Who and Supernatural take up the narrative of storyteller as God, raising questions about our fascination with the auteur.
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The Doctor Will Be Back: Doctor Who and the Showrunner’s Cliffhangers
After all the publicity focused on this “game-changing” episode, what interests me is the following question: is there such a thing as a distinctively Moffat-esque cliffhanger?
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A Showrunner Goes To War: Doctor Who and the Almost Fans?
With episode 6.06 having transmitted in the US, and 6.07 – the 'game-changing' midseries finale – already broadcast in the UK, this week seems like a good time to ponder the issue of Doctor Who spoilers.
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Matthew Graham’s Doctor Who: Fear Him?
The obvious critical question is this: which Matthew Graham do we get here? The Life on Mars and Ashes to Ashes scribe? Or the 'Fear Her' and Bonekickers doppelganger?
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Neil Gaiman’s Doctor Who: Fan Service Meets the Junkyard Look
There's an illusion of transformative work here – although this seems to alter the rules of the Whoniverse, in fact it leaves all the game pieces in play as they were.
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Steve Thompson’s Steven Moffat’s Doctor Who: A Pirate Copy?
'The Curse of the Black Spot' serves up warmed-over intertextualities with gusto. But such manic repetition of generic fare seems to over-ride considerations of authorial distinction.
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Steven Moffat’s Doctor Who: Challenging the Format Theorem?
Moffat challenges the TV industry establishment far more notably than did series one through four. He's the Tom Baker to Russell T. Davies's Jon Pertwee.
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Report from SCMS: Wednesday
The Antenna editors have asked some writers to contribute daily reports on the Society for Cinema and Media Studies (SCMS) conference in Los Angeles this week. First up--a Wednesday report from Derek Kompare.
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