We'll never know exactly why anyone wins Emmys, but the process weighed heavily in HBO's dominance at this year's ceremony.
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We'll never know exactly why anyone wins Emmys, but the process weighed heavily in HBO's dominance at this year's ceremony.
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The final part of a week-long forum for media scholars to share their thoughts about Lifetime's UnREAL explores the series in relation to cable branding and racial politics.
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What does HBO's deal with Sesame Workshop mean for Cookie, HBO, PBS, and their audiences?
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Leora Hadas tracks creative frictions as Israeli TV dramatists see their work exported, adapted and as The Affair’s Hagai Levi puts it, taking a permanent detour from work that “started out as art.”
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Supporting vigilante documentary as an acceptable approach to seeking "justice" is a potentially dangerous trend.
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Cynthia Meyers reports on the 2014 Time Warner Thought Leadership Faculty Seminar
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How HBO's deal with Amazon Prime reflects its history of embracing new forms of distribution in the interest of connecting with and monetizing audiences unable or unwilling to subscribe to the channel.
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What I am interested here is the audience of forensic textual foragers that, like the true detectives themselves, followed the scattered bread crumbs that led towards, not the yellow brick road, but the yellow king and the city of Carcosa.
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Ten (or more) media industry news items you might have missed recently.
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Although prolific filmmaker Steven Soderbergh claims the new HBO hit, Behind the Candelabra will be his last, the director has been busy at work setting the stage for his second act as a TV/stage director-painter-novelist-t-shirt entrepreneur and headphone designer-hyphenate.
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Ten (or more) media industry news items you might have missed recently.
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Ten (or more) media industry news items you might have missed recently.
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Entourage may have already given HBO’s parent company Time Warner all that it’s capable of giving.
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Netflix's willingness to give the audience control over serial viewing challenges assumptions that the best way to control program costs is to eke out episodes over time, measuring demand, and then raising and lowering prices in response.
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Treme does not simply revisit a post-Katrina sequence of events. It tracks the mediated versions of them, underlining, commenting and critiquing previous formulations, re-inventing the story and becoming part it.
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