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David Simon's Treme returns this Sunday for its second season. Antenna will be following all of the action with a weekly column on the program to be published each Wednesday.
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David Simon's Treme returns this Sunday for its second season. Antenna will be following all of the action with a weekly column on the program to be published each Wednesday.
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Ten (or more) media industry news items you might have missed recently.
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Ten (or more) media industry news items you might have missed recently.
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What I find frustrating about the show is not simply that it ends up Othering the world, but that it could be so much better. It’s like a B student who writes occasionally brilliant sentences, yet who isn’t trying hard enough.
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It’s Spring Break for us here, hence a slowdown in publishing. But just like any bad sitcom, there’s always the clip show, so we thought we’d remind you of what’s been published here this year.
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Ten (or more) media industry stories you might have missed recently.
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While there have been a number of diverse responses to this year’s SCMS, a substantial portion of the discussion boils down to this central question: why do we attend academic conferences?
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Two days in and SCMS 2011 has already proved an amazing experience.
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The Antenna editors have asked some writers to contribute daily reports on the Society for Cinema and Media Studies (SCMS) conference in New Orleans this week. First up: a Thursday report from Christine Becker, focusing primarily on the SCMS website workshop.
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WE's new series, produced by and starring Joan & Melissa Rivers draws attention to the artifice of reality TV, but in the fourth episode, the mask slips and reveals something that may be...possibly...perhaps..."real"...
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Ten (or more) media industry stories you might have missed recently.
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The oppression of women is a daily activity for the men of the Jersey Shore, but so is the production of male beauty and labor in the domestic sphere.
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As I have joined in the vibrant, energetic, and peaceful demonstrations against the Budget Repair Bill at the Wisconsin State Capitol, I have been struck by how those demonstrating have constituted a collective identity for themselves as Wisconsinites.
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I’m reminded of an argument made by rhetoric scholars Kevin DeLuca and Jennifer Peeples that we need to rethink the notion of the public sphere because so much of our democratic enactments happen not in a sphere, but on what they call the “public screen.”
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The protests in Madison have demonstrated forcefully the power of an alternative to the opinion poll, an embodied voice of the people.
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