TV

Entourage may have already given HBO’s parent company Time Warner all that it’s capable of giving.
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This wasn't such an interesting Super Bowl in terms of commercials, but one spot for the Ram truck line stood out to us. Was there an ad that seemed particularly notable to you?
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The sale of U.S. cable station Current TV to the Qatar-based news network Al Jazeera raises questions about how a foreign network might explain Americans to themselves. Might Al Jazeera provide a foreign lens for Americans to examine themselves? What would that even look like?
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Despite hard times and dire predictions for U.S. daytime soap operas in recent years, the present moment has in fact turned out to be one of the more exciting and promising in the genre's history.
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While a complex production mythology makes Syfy's ambitious transmedia series/game Defiance unique, the first of two parts explores how this mythology also breeds uncertainty as the franchise's April debut nears.
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Rudolph was created when gayness as identity was rarely represented on screens, instead shunned off into the shadowy world of coded meanings waiting to be activated by knowing readers or “appearing” as semiotic excess waiting to be queered through the practice of camp.
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Nick Jr.'s new NickMom lineup fits with its brand but ends up missing the mark with a core segment of its audience, highlighting the ambivalence surrounding contemporary representations of motherhood.
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The referee lockout has been resolved, but we would do well do consider its broader implications before we allow it to recede into the past.
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Antenna contributors consider the 2012 Fall Premieres from NBC.
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Reality Gendervision: Sexuality and Gender on Reality TV Conference, on April 26-27, 2013, at Indiana University.
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As DirecTV, Netflix, Hulu, and Amazon emerge as players in content distribution, we are seeing evidence of active campaigning by production studios finding new homes for their canceled shows.
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Beyond the issue of depicting same-sex intimacy, Husbands does not really challenge the current norms of queer visibility.
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While usually confined to niche websites, the Emmy nomination race broke into mainstream outlets as digital pages are turned over to Emmy contenders in exchange for potential advertising revenue.
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Its the pairing of disrepute with respectability that makes the BET Awards akin to a Black Family reunion.
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Anderson Cooper addressed his sexuality in a letter that demonstrates a new, old reason to come out: to break down invisibility and become a model for queer youth.
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