The politics of Disney's Frozen are indicative of symptomatic shifts within an otherwise largely entrenched ideological core.
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The politics of Disney's Frozen are indicative of symptomatic shifts within an otherwise largely entrenched ideological core.
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Continuing to think about LEGO, the idea of “creativity,” and the unequal extension of that idea to different consumer groups.
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Now in its eleventh year, Columbia, Missouri’s True/False Film Festival is rapidly becoming a major stop on the North American festival circuit.
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Melissa Aronczyk discusses Fort McMoney, an interactive web documentary designed to raise awareness of the conflicts among industrial, political and environmental interests in the development of oil.
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This year has been heralded as a renaissance for films featuring black actors and actresses. Many of these black actors and actresses have performed in “quality” films like 42, The Butler, and 12 Years A Slave. As an arbiter of their “quality” these films have already begun racking up award nominations, and in some...
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This week, Lantern, a search and visualization platform for the Media History Digital Library, reached its first wide public.
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The current debate over vernacular auteurism overlooks an important fact: French auteurism was always vulgar.
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Casting news on Paul Thomas Anderson's 'Inherent Vice' leads to a reflection on his past work, authorship, and his own inherent vices.
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Some influential figures of the cinema world are tentatively exploring a loosening of bans on cell phones during select screenings, refueling the ever-controversial debate of movie theater etiquette.
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The imminent release of Man of Steel on June 14 begs a reflection of 1987's overlooked installment, Superman IV: The Quest for Peace.
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Ten (or more) media industry news items you might have missed recently.
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The female voices on The Great Gatsby's soundtrack channel the hard-won feminist power of past generations.
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The figure of the recently passed Deanna Durbin (1921-2013) is fascinating today because of how it embodies a sensibility within stardom: the cult of the child star.
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If Atmos or a similar system were to become the industry standard, questions arise as to how its potential aesthetic might shape the way films sound and look.
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Why kickstarting Veronica Mars was not simply a procedural act, but rather a social experience awakening, mobilizing and monetizing fan cultures in real time.
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