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Marvel’s Daredevil launched April 10 on Netflix, marking a new milestone for Netflix’s original content strategy and the expansion of Marvel Television into the streaming space.
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Marvel’s Daredevil launched April 10 on Netflix, marking a new milestone for Netflix’s original content strategy and the expansion of Marvel Television into the streaming space.
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Though widely praised for its political optimism and progressiveness, NBC's Parks and Recreation also expresses a more complex and pessimistic view about the American voting public.
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With religion on fictional television growing, why is it so difficult for press and PR to acknowledge this shift within the industry?
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In a recent episode of ABC's Shark Tank, debate over what constitutes a technology takes on industrial dimensions as the stylistics of Silicon Valley shape popular images of entrepreneurship across industrial sectors.
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In part two of their conversation, Cory Barker and Drew Zolides discuss the future of the WWE Network and what other over-the-top (OTT) services can learn from it.
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In part one of their conversation, Cory Barker and Drew Zolides discuss the Network's impact on WWE's storytelling and its financials.
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As an obsessive fan of the genre that has become known—somewhat inaccurately—as “fake news,” I was incredibly curious to see where Larry Wilmore, the host of Comedy Central’s The Nightly Show, would take the genre. Wilmore faced the challenging task of replacing The Colbert Report, a show that had brilliantly satirized right-wing punditry. Colbert...
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As season five of Downton Abbey airs in the U.S., Twin Cities Public Television’s rebranding efforts inspire an exploration of the expansive U.S. public television phenomenon.
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On September 15 of this year, Rosie Perez took her seat as the first permanent Latina co-host of The View, ABC-TV’s long-running daytime chat show. The network confirmed its hiring of Perez (an Oscar-nominated actress also known for her work as an author, filmmaker and activist) only a week or so prior to the...
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"Binging" and "marathoning" don't cut it -- we need a word in addition to binging to describe emerging viewing behaviors.
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Steven Soderbergh and Cinemax's new series, The Knick, has become a critical darling, called the best in a new era of director-centered television. Kristen Warner, Lisa Coulthard, R. Colin Tait, and Andrew deWaard weigh in on its critical accolades.
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Amanda Ann Klein makes her case for the prosecution as to why Showtime should leave Twin Peaks alone; Dana Och and Jason Mittell argue for the defense by sharing why they are excited to return to the woods.
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Amazon Studios's Pilot Season attempts to frame itself as a “disruption” of both the traditional Hollywood development system and Netflix’s production of prestige television.
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The fusion of cinema, television, and personality has critics resounding with near-universal praise for Cinemax's The Knick, resulting in a very heavy ride on the Steven Soderbergh bandwagon.
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Despite differences in style and content in AT&T’s branded entertainment, @summerbreak and The Bell Telephone Hour share promotional goals of consumer education and aspirational culture.
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