And...we’re back. Ten (or more) media industry stories you might have missed recently.
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And...we’re back. Ten (or more) media industry stories you might have missed recently.
Read more »
Ten (or more) media industry stories you might have missed recently.
Read more »
Ten (or more) media industry stories you might have missed recently.
Read more »
In the wake of this week's season finale, Antenna's weekly Glee Club contributors offer their take on Glee's first season in a roundtable discussion about the pleasures and limitations of performance, reinvention, and representation.
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Ten (or more) media industry stories you might have missed recently
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Dramatic television has rarely shown much affinity for musicians, and neither has it shown much artistry for dealing with musical performances within the narrative. This time, David Simon and HBO finally get it right.
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Ten (or more) media industry stories you might have missed recently.
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Music videos are alive and well on the internet, and Miley Cyrus' latest - for her new single,"Can't Be Tamed" - represents a significant rhetorical moment in her star persona (and Disney's pockets).
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I think this is the essence of Glee’s appeal: It “mashes” together the old and the new, the shallow and the deep, and in the end asks us to appreciate that our lives are much like popular culture.
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Some thoughts on the peculiar nature of Glee's soundtrack and why it both pulls me in and repels me from the program.
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Today is Record Store Day, a music industry event taking place at hundreds of independent record shops internationally. But is this "holiday," intended to bolster record retailers, really better seen as an assertion of vinyl's renewed importance in the industry?
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Ten (or more) media industry stories you might have missed recently
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The Antenna editors have asked some writers to contribute daily reports on the Society for Cinema and Media Studies (SCMS) conference in Los Angeles this week. First up--a Wednesday report from Derek Kompare.
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On the heels of the popularity of the Rube Goldberg video for “This Too Shall Pass,” OK Go announced that it was leaving an already beleaguered EMI to establish its own label Paracadute Recordings. Quickly a story emerged treating OK Go as the musical David fighting the evil Goliath of EMI.
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Ten (or more) media industry stories you might have missed recently
Read more »