
Twitter serves not only as a platform for high-profile showrunners, but also a space where more nuanced television authorship is negotiated by writer-producers.
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Twitter serves not only as a platform for high-profile showrunners, but also a space where more nuanced television authorship is negotiated by writer-producers.
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When a showrunner chooses to remove themselves from Twitter, they are removing themselves from not only professional opportunity but also a space for self-expression.
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A group of TV Studies faculty share their impressions from a week-long Television Academy seminar.
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With NBC's Community and ABC's Cougar Town on hiatus, their respective showrunners' Twitter accounts become key outlets for implicitly or explicitly encouraging fan involvement and/or activism.
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While it was perhaps inevitable that Sutter’s lack of a filter would result in his Twitter account becoming a liability, the rise and fall of “@sutterink” has more to do with public perceptions of Twitter than with his actual commentary.
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With episode 6.06 having transmitted in the US, and 6.07 – the 'game-changing' midseries finale – already broadcast in the UK, this week seems like a good time to ponder the issue of Doctor Who spoilers.
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There's an illusion of transformative work here – although this seems to alter the rules of the Whoniverse, in fact it leaves all the game pieces in play as they were.
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Moffat challenges the TV industry establishment far more notably than did series one through four. He's the Tom Baker to Russell T. Davies's Jon Pertwee.
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The second in our two-part series on the Television Academy of Arts & Sciences Foundation's faculty seminar.
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The first in our two-part series on the Television Academy of Arts & Sciences Foundation's faculty seminar.
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For showrunners, the risks and rewards of replying to Twitter users are magnified: replying could create a sense of a personal relationship with their followers, but getting into long conversations with fans (especially antagonistic fans) could spark controversy.
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For today's television showrunner, Twitter is simultaneously rife with potential and littered with pitfalls.
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In addition to granting Midwesterners like me the chance to reintroduce the concept of sunshine to our bare arms, another one of the advantageous by-products of the Los Angeles setting for the SCMS conference this year has been the opportunity for film and TV industry professionals to join our discussions. Saturday’s sessions offered the...
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