DC Comics must move beyond its traditional business model if it really wants to attract new readers.
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DC Comics must move beyond its traditional business model if it really wants to attract new readers.
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Elizabeth Evans tracks the ongoing fallout of the BBC’s plan to relocate a channel to the online-only realm.
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“Desperately seeking the audience” of computational tools and digital methods for media studies research.
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How to transform the potential of online communities like Simple Machine into local, public support for independent filmmaking?
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In this latest post in our From Mercury to Mars series, Josh Shepperd discusses the "War of the Worlds" broadcast as a foundational subject for intellectual history and, as the subject of social research like Hadley Cantril's The Invasion from Mars, one of the events that legitimated the very study of media.
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Adrienne Shaw explores how academics, fans, and industry professionals are all laborers of love and how a coalitional attitude could benefit all parties in our quest to engage with our beloved media objects.
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In this inaugural post in Antenna's new series on cultural studies and media aesthetics, "The Aesthetic Turn," Kyle Conway queries media's experiential dimensions.
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Ten (or more) media industry news items you might have missed recently.
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After two episodes of trying to decide how I feel about the show, I started to wonder: Who does HBO hope will watch Girls? Girls’ small initial audience suggests that its audience “isn’t easily defined.”
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Republican and anti-choice ultrasound bills and laws have justifiably come under fire for being physically invasive, but what they say about women as audiences and as citizens is every bit as disturbing.
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Is the comics industry doomed or simply too insular?
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Nielsen's planned return to being publicly traded is the latest significant change for a company that has become much more than the primary source of television ratings, but rather has evolved into the primary arbiter of media audiences of virtually all types.
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There's so much more to QVC than chirpy hosts, costume jewelry, and the bloopers you see on The Soup. One fan and scholar attempts to explain and redeem the oft-mocked shopping channel.
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