
A controversial new book argues that it’s okay to enjoy Charlie Chan movies.
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A controversial new book argues that it’s okay to enjoy Charlie Chan movies.
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PBS premieres new period-piece Downton Abbey on Sunday, reminding us that Brit-lit mini-series, which construct variegated representations of mainly white, heterosexual, aristocratic, life, continue to be hugely popular.
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What's so funny about old videotape?
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Despite an appealing sense of inevitable narrative momentum, a long but more importantly uncertain wait makes it hard to feel excitement and anticipation for the mid-season return of this Battlestar spin-off.
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We may be several decades removed from the emotional upheavals of the culture debates, but popular studies remains a readily mocked area in mainstream media, especially as universities are often asked to produce efficient and effectual employees rather than well rounded individuals.
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Over the past few weeks, we've had the opportunity to watch a fandom take root at double speed. And despite the purpose of this Antenna series, I'm not talking about Mad Men.
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This summer's premiere of BBC's new Sherlock raises issues on how one modernizes the Victorian Sherlock Holmes to fit in an alternate 21st century London, as well as shaping a world that a century's worth of Holmes has never impacted.
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Robert Pattinson, like Brando and Dean before him, doesn't play by the star promotion rules and yet is a heartthrob because he appeals to heartthrob-hungry girls in unexpected ways.
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In the wake of this week's season finale, Antenna's weekly Glee Club contributors offer their take on Glee's first season in a roundtable discussion about the pleasures and limitations of performance, reinvention, and representation.
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The information and communication technologies for development (ITC4D) initiative can and should be more than developmentalism. How can we think more broadly about the pleasures of engaging with emerging media?
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I like active viewers/readers, and while I don’t think that authors are dead, I don’t think they should run after their texts telling us what they mean. A good text should show me its myriad meanings, and great texts tend to contain multitudes.
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Seeing Graham as Sarah Braverman evokes for both Derek and me her role of Lorelai, but whereas I view Sarah as maybe a little snarkier and wittier than she’s written in the show, for Derek the roles crash.
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We hear a lot about teams and fans that are "tortured," but what about the ones we don't hear about at all?
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At Console-ing Passions, you can expect scholarship on culture, identity, gender, and sexuality (as they relate to media) in every panel—and it’s great to mingle with so many brilliant feminist scholars!
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Glee has garnered ardent fans, or Gleeks, around the world. Just as notable, it appears to have been embraced as particularly American. What is it about the series that has inspired this phenomenon?
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