In Part 2 of 2, it's asked what repetition or originality even mean in a sequel, and how The Force Awakens is "nostalgic."
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In Part 2 of 2, it's asked what repetition or originality even mean in a sequel, and how The Force Awakens is "nostalgic."
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Mark Lashley discusses "Fuller House" and the current trend of resurrected television nostalgia, and how the notion of television as an ephemeral or disposable media form is diminishing.
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Last week's announcement that Tim Burton will direct a remake of Disney's Dumbo is a reminder that in Burton's career we witness the convergence of the aesthetic logic of allusionism and the corporate logic of franchising.
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This second installment of "I, Reboot" dives into the origins of the reboot-as-narrative-analogy and distinguishes "reboot" from "ret-con."
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What is a reboot, then? This is the overarching question of this series of articles and one which I have been wrestling with for six years or so.
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Only 8 years into the Spider-Man film franchise, Sony's decision to start from scratch seems a little hasty. Why reboot Spider-Man?
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