
How fact-checking and the win/lose paradigm may distract voters from the more important moments in a debate.
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How fact-checking and the win/lose paradigm may distract voters from the more important moments in a debate.
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What political investments are written into discursive analysis? What is the relationship between media literacy and aesthetic analysis?
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Antenna contributors consider the 2012 Fall Premieres from ABC.
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Antenna contributors consider the 2012 Fall Premieres from CBS.
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Antenna contributors consider the 2012 Fall Premieres from FOX.
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While clearly trading on the legacy of representation that frames Latina/os as “spicy” the RHOM simultaneously constructs a shift towards whiteness in the racialized character of the city itself.
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Part one in a series on "The Wisconsin Discourses."
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Bob's Burgers' Tina Belcher is arguably the program's breakout character and has the potential to be one of American broadcast television's most subversive girl characters.
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As DirecTV, Netflix, Hulu, and Amazon emerge as players in content distribution, we are seeing evidence of active campaigning by production studios finding new homes for their canceled shows.
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"My love's too big for you my love": an offering for those who admired Alexander Doty and his work (as well as those who enjoy Glee's Kurt Hummel).
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PBS successfully transitions Downton Abbey from Miniseries to Drama Series by continuing to lean on the advantages afforded the former distinction.
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What image is Britain out to portray on the international stage with its branding of "GREAT Britain" for the London Olympics?
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Upon Rodney King's passing, we can remember In Living Color's commentary on police brutality, King's trial, the L. A. Uprising, and how satire makes cultural ugliness palatable.
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Studying representation was my way into media studies. But laborers aren't working from a script and we can't always visualize the lived realities of their work.
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The broadcast networks respond to the introduction of Dish TV's new DVR, the Hopper, with outrage and litigation.
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