
A look at Māori television media convergence and multiplatform expansion.
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A look at Māori television media convergence and multiplatform expansion.
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In the second episode of Glee’s new season, “I Am Unicorn,” Kurt’s character loses the romantic lead in the school musical, West Side Story, to his more masculine boyfriend Blaine. The episode was both fascinating and confounding because instead of interrogating masculinist gender hierarchies, usually one of the show’s great strengths, the show affirmed...
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Ten (or more) media industry news items you might have missed recently.
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Are Italian audiences different from American audiences because they are culturally and linguistically dissimilar or because local distribution choices affect their consumption of a given audiovisual product?
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Ten (or more) media industry news items you might have missed recently.
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It's premiere week! Check back regularly for our contributors thoughts on all the new CBS shows! Responses so far: 2 Broke Girls, Unforgettable, Person of Interest and A Gifted Man.
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Ten (or more) media industry news items you might have missed recently.
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Ten (or more) media industry news items you might have missed recently.
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Treme’s focus on how its culture and cultural economies are created and presented through music and cuisine has meant a majority of its almost 22 narrative hours watching musicians struggle with bar owners, the recording business, the law and each other.
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Christine Becker wraps up her reports about British television with a collection of observations.
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Christine Becker checks out what was on British terrestrial TV last week and finds death and apples.
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That night Donald told me that music was a character on Treme. That made some sense to me, having argued in the past that product plugging turned commodities into characters on sitcoms. But that was a criticism. How did it work for the culture of jazz on TV exactly?
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Christine Becker assesses the level and regulation of graphic content on British TV (and relays a naughty joke).
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Christine Becker outlines the multichannel landscape of British television.
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The challenge facing Tremé (and every other media representation of New Orleans) is finding a way to balance a celebration of the city’s unique cultural contributions with an acknowledgment of its more conventional, and often more damning, histories, memories, and contemporary realities. Week 6’s episode “Feels Like Rain” responds to this challenge, self-consciously,...
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