Despite a rough start to the season, Saturday Night Live continues to be a fascinating case study for understanding American television.
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Despite a rough start to the season, Saturday Night Live continues to be a fascinating case study for understanding American television.
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Antenna contributors review the new fall series from the peacock network.
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Ten (or more) media industry news items you might have missed recently.
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Ten (or more) media industry news items you might have missed recently.
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While The Office's documentary aesthetic has often led to the assumption the show itself was the final product, the choice to position the diegetic documentary as public television and a successful international export pushes against this assumption in interesting ways.
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A cultural discussion of 30 Rock's television legacy for feminist discourse and self reflexive satire television in the wake of its final broadcast.
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Ten media news items you might have missed recently.
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NBC's new First Family sitcom, 1600 Penn, is surprisingly devoid of conventional political engagement, instead relying on traditional domestic comedy in the form of interpersonal conflict.
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What image is Britain out to portray on the international stage with its branding of "GREAT Britain" for the London Olympics?
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Who gets their own show, and what can we expect, for the 2012-2013 season?
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When NBC aired its "Brotherhood of Man" promotion before the Super Bowl on Sunday, it provided a useful take on the network's biggest strength...and its potential weakness.
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As a fan of musical theater, I’ve been eagerly anticipating the premiere of SMASH, the new NBC drama about the behind-the-scenes adventures of a group of people attempting to open a new musical on Broadway. Though the show is set to premiere after the Super Bowl, NBC has already released the pilot for free...
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While the actual “Must See TV” branding is all but gone, there remains a specter of legitimation surrounding the evening…at least in the eyes of NBC schedulers.
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Each year, the anticipated fall premiere television season is followed by an equally exciting period: fall cancellation season. The failures of The Playboy Club and Pan Am raise the question of why we turn to period TV, especially post-Mad Men.
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What happens when the television production schedule leads to promotions which are out of date by the time they air?
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