Interstellar (2014) made its well-known debut last weekend. In Chicago, the film (yes, we can still call it that) screened in its “intended” format of 70mm at the Navy Pier IMAX. Its appearance there and at other such venues was…
With the release of “Monster’s University,” Pixar takes the next step in nostalgic tendencies, but has this stifled their innovation and creativity?
Casting news on Paul Thomas Anderson’s ‘Inherent Vice’ leads to a reflection on his past work, authorship, and his own inherent vices.
If Star Trek was once a foundation for the idea of taking fans seriously, then today it might simply be a sad commentary on fandom’s token function within the industry, another form of “crowdsourcing,” a destructive marriage based on the contradictory feelings of mutual dependence and contempt.
Is Ridley Scott’s Prometheus a half-baked pile of philosophical babble, or is it more seductively an early harbinger of a kind of post-television cinematic narrative—filmmaking in the age of television?