Norman Corwin's recent passing provides an ideal opportunity to consider the legacy of the man who has often been described as the poet laureate of American radio.
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Norman Corwin's recent passing provides an ideal opportunity to consider the legacy of the man who has often been described as the poet laureate of American radio.
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As culture becomes increasingly digitized, arguments for the “dematerialization” of media are becoming commonplace. However, media have always been, and remain, embedded in and structured by material objects, networks, and practices that delimit their uses and meanings.
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Juan Williams, Laura Schlessinger, Lou Dobbs, and Don Imus all used racially insensitive comments to renew flagging careers and reinvent themselves for a changed media environment. It's rebranding through racism.
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The Wisconsin Center for Film and Theater Research hosted a major conference this past week that featured a symposium on broadcasting in the 1930s, several thought-provoking keynote addresses, and presentations on all manner of issues pertaining to archives and the historical past.
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At the TWiT Cottage and around the web, a new kind of network television is taking hold.
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The town names of callers allow listeners to construct an imagined regional map, an extended network of communication of which they are one point in their material environment that they comprehend through the car window
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A radio station that signs on and off with the phases of the sun? Well that's something I haven't experienced since. . . well, ever.
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