Like time’s arrow, transmedia franchises move relentlessly forward. Or do they? Matthew Freeman looks at the retro fixation of the transmedia James Bond storyworld as an anomaly in contemporary entertainment’s perpetual present.
Ten or more media industry news stories from the past two weeks.
In this latest entry in The Aesthetic Turn series, Kyle Conway considers the aesthetic experience of media, using translation and metaphor to turn our attention away from the object and toward our experience of media in the age of convergence.
The action scenes in some Bond films go for “less is more.”