Piers Britton on Mad Men's visual style, series structure, and Sixties-philiac tendencies, and how the TV series turned its tension between the espousal of emotional truthfulness and a preoccupation with “superficial” visual pleasures into a branding strategy.
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Through a case study of the British ITV series "Strange Report" (1969-70), Jonathan Bignell exhibits how Michele Hilmes' example has taught him that when we look closely at the detail of history, there are always more complex and more interesting things to discover.
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![NYFF 2012: History Has Many Cunning Passages [Part Three]](/wp-content/uploads/2012/10/AntennaCinemaJournal-300x119.jpg)
Our third post on New York Film Festival 2012 is a collaboration with the Society for Cineman & Media Studies, and reviews three films from the festival: NO, Ginger and Rosa, and Not Fade Away.
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This week's Mad Men is all about gossip.
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