With religion on fictional television growing, why is it so difficult for press and PR to acknowledge this shift within the industry?
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With religion on fictional television growing, why is it so difficult for press and PR to acknowledge this shift within the industry?
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Broadcasters are paying top-dollar for the last useable scraps of the FM spectrum. John Anderson explores the booming market in translator stations and their implications for diversity on the dial.
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Was Katy Perry's Super Bowl ride on a star resembling one made famous by a series of 1990s PSAs an example of cross-promotion? We don't know and NBC doesn't care--but the incident tells us something important about the logics of contemporary media industries.
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In the era of multiple platform viewing and increased time-shifting, television turns to the musical. But Fox's selection of Grease seems to ignore a string of warning signs.
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This second installment of "I, Reboot" dives into the origins of the reboot-as-narrative-analogy and distinguishes "reboot" from "ret-con."
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What is a reboot, then? This is the overarching question of this series of articles and one which I have been wrestling with for six years or so.
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Noel Holston celebrates the life and work of Les Brown, TV journalist and historian, editor at Variety, and renown expert on the business of television.
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Chuck Tryon discusses Jeff Ulin's latest book on media distribution, focusing on temporal and spatial considerations in a global, digital marketplace.
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The success of Netflix's original series Orange is the New Black says something about our culture’s readiness for complex, sexually diverse female characters.
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In this short post I’d like to juxtapose an unlikely pair of films in order to push harder at the taken-for-granted mythologies of extreme weather: SharkNado and Beasts of the Southern Wild.
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Some influential figures of the cinema world are tentatively exploring a loosening of bans on cell phones during select screenings, refueling the ever-controversial debate of movie theater etiquette.
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The idea of user-supported media production extends beyond Kickstarter, as technology continues to offer more areas for direct audience support and participation.
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Ten (or more) media industry news items you might have missed recently.
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Ten (or more) media industry news items you might have missed recently.
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Clear Channel has figured out how to profit from college radio. Can college radio survive its embrace?
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