We'll never know exactly why anyone wins Emmys, but the process weighed heavily in HBO's dominance at this year's ceremony.
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We'll never know exactly why anyone wins Emmys, but the process weighed heavily in HBO's dominance at this year's ceremony.
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The influence and overlap between the worlds of podcasting and television (and live comedy) is expanding as visual and audio media continue to fragment, making issues of narrative construction and narrative influence ripe for questioning,
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The season 2 finale of Orphan Black effectively showcased Tatiana Maslany's acting abilities, especially in its impromptu dance scene that featured the four clones.
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For a foreigner in the UK, the most telling part of this observational documentary are British households’ responses to recent political events.
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In the era of multiple platform viewing and increased time-shifting, television turns to the musical. But Fox's selection of Grease seems to ignore a string of warning signs.
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On winning GISHWHES (Greatest Scavenger Hunt the World Has Ever Seen), which enacts the fannish/digital ethos of playful creativity, experimentation, and community awareness in the world.
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This second installment of "I, Reboot" dives into the origins of the reboot-as-narrative-analogy and distinguishes "reboot" from "ret-con."
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With its reliance on speculation, dependence on simulation, and occasional swerves into absurdity, CNN's coverage of Malaysia Airlines 370 indexes the incomprehensibility of this disaster, marked by the failures of so many systems that seemed to promise safety, visibility, and order.
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Space is not neutral, especially the mobile app world in San Francisco.
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In this final post in Antenna's The Cultural Lives of Doctor Who series, Matt Hills looks at the promotion and marketing that's occurred around the Doctor Who franchise across 2013.
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The underlying discourse of the interview is that media scrutiny and critique is the modus operandi of liberal/leftist/elitists. But who, exactly, are the elitists?
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Antenna contributors review the new fall series from the alphabet network.
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Antenna contributors review the new fall series from the peacock network.
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In this short post I’d like to juxtapose an unlikely pair of films in order to push harder at the taken-for-granted mythologies of extreme weather: SharkNado and Beasts of the Southern Wild.
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Netflix's nominations have been signaled as historical for online television, but they were earned through efforts to erase that distinction.
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